I feel like I have a skill set, but every experience is different and there’s always room for improvement.
JULIA STILESRelated Topics
Lifetime
I feel like I have a skill set, but every experience is different and there’s always room for improvement.
JULIA STILES
In my early career, I look at that time as a series of trial and error and learning as I go.
JULIA STILES
I pretty much grew up in public.
JULIA STILES
I worked regularly from very early on, and some of it was probably a bit premature.
JULIA STILES
My regular school didn’t know what to do with me!
JULIA STILES
It’s not my job to critique the writing. I’m there to serve it. I had to figure out a way to make it work.
JULIA STILES
I like analyzing human behavior. It’s complex. That’s what keeps me going.
JULIA STILES
Yoga has stopped me from destroying my joints after running. It slows me down. My brain and body can go into overdrive – yoga teaches me to focus on the moment and not get ahead of myself.
JULIA STILES
Yoga has stopped me from destroying my joints after running. It slows me down.
JULIA STILES
I think that ultimately I just have to be myself. You know, I don’t do anything that outlandish anyway.
JULIA STILES
I think it’s really special to be a part of something that people are still watching or thinking about or interested in, or remember fondly many years later. I don’t think it’s annoying at all.
JULIA STILES
I’ve always been fascinated with the idea of people paying for sex and what goes on with that and why that happens.
JULIA STILES
I used to struggle a lot with dwelling on how the day at work was, and I would dwell on my performance. Now, I’m like, “Well, that’s over and done with, and I can’t control the outcome, so move on.” I just remember that it’s entertainment I am making.
JULIA STILES
I think women get caught up too much in having a plan – ‘I’m going to get married at this age I’m going to have a kid at this age’ – and then they just try to find a guy who will fit into that picture. I don’t want my life to be based on that.
JULIA STILES
I did a different production with a different director and Bill Pullman. Oleanna – the one you saw – we were doing right after Bourne Identity or right after it came out.
JULIA STILES
I like a director who is very observant and is watching what I’m doing and noticing what I’m doing, but is giving me time to figure it out. They don’t jump right in and give you a note before you’ve had time to really search on your own with how to do a scene.
JULIA STILES