Usually I’m not really conscious of what’s going on. I don’t have a lot of memories onstage. At all.
BRADFORD COXI’m not meaning that in a disrespectful way; you go where people want to hear your music. So if that’s where people want to hear me play.
More Bradford Cox Quotes
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I think the younger kids need to realize there’s this whole forgotten 90s that people don’t really talk about.
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You read about that Black Lips/Wavves fight as a spectator and you’re like, “Oh man, I’m gonna pick a team to be on!
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I don’t have the capacity to write stuff consciously. When I do, it’s really awful.
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They had it at the library and I always thought that was interesting, even when I was into punk and stuff. Just the history of storytelling and the amount of melancholy a lot of old music has.
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That’s what culture is based on, the passing down of a certain narrative by imitation.
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I’m a really friendly guy, I guess, and I really like meeting people.
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For me, experimenting involves traditionalism.
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I always write the first and last song of an album first, and then the middle just kind of happens.
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You gotta have friends, and it’s really hard to have friends that don’t operate on the same schedule as you or do the same kind of things you do, because they don’t understand it.
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The sober guy is always going to have this air of arrogance or self-righteousness, but it’s not my intention. I just knew that if I drank, I’d have a drinking problem.
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I like playing at public schools. I like when there’s more of a diverse audience. I’ll play wherever people want to hear my music, and I’ll be glad and grateful for the opportunity, but I’d rather not play for a bunch of white privileged kids.
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I’m real critical of myself. I think a lot of what I’ve done is boring indie rock. I didn’t intend it to be that way, but somehow milk gets added to everything.
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You think about people like Elvis, Kurt Cobain, or the Beatles, who grew up without privilege and needed a certain validation through peoples’ acceptance, or admiration from their peers. And money is part of that, but it always comes too late.
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You’re not necessarily listening to the band and thinking about the lead singer, or the story of the group, or the context or the mythology of the group. You’re just listening to the song and whether or not it has a hook.
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I think people are intimidated by me, and I don’t know why. Sometimes even my own bandmates can be intimidated, or irritated, by me.
BRADFORD COX