For Devil’s Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.
GUILLERMO DEL TOROI’m a big fan of the Harry Potter books, but I’d love to do one where one of the kids dies, or one of the main characters dies. I love for those things to have a little bit more tragedy.
More Guillermo del Toro Quotes
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I love REAL set construction and think that sets are very important part of the storytelling and scope of a film.
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I’m a movement Nazi. It used to be my way before. Now, in the last three projects. I found a way to let the actors find their comfort and still find the precision in the show. It’s a change in me.
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You can always go back to not making any money, and then you get the freedom. And I’m going to continue doing it, because it really is a fantastic sense of liberation.
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I had gotten to the point where I just didn’t want to perform anymore – I didn’t want to be on the chopping block anymore. I started to want to withdraw and retreat from it.
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If you’re doing a big spectacle film, you’ve got to be mindful of large masses. Even then, you’ve got to be responsible only to your storytelling.
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Movies that look safe are less interesting.
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I like actors that are good with pantomime and that can transmit a lot by their presence and attitude more than through their dialogue
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I think damage to the eye or damage to the teeth is one of the most universally cringing things you can do in a movie and these are very fragile sounds.
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You think if you work hard enough, you can fix the precious things you’ve broken – rather than being careful with them in the first place.
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I only produce movies that have something stylistically different, so that I can learn from the experience of producing.
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Power revealed is power sacrificed. The truly powerful exert their influence in ways unseen, unfelt. Some would say that a thing visible is a thing vulnerable.
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I thought the tooth fairy was a very creepy concept as a kid. “Put your tooth under the pillow.” I was like “Why does someone want my teeth?”.
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In real life, what scares me is politicians, corporations and people that think they know what the world should be.
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Somebody said to me, in a very well-meaning way, at a screening, “We love the movie but it’s too violent. If you tone down the violence you could reach a great audience of kids.”.
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When you shoot in America, you have huge beams of sunlight in the windows, very vivid sunlight – it’s faster in a way.
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