I can’t picture myself starting out aiming to do anything or having much of an agenda.I think in writing a poem, I’m making some tonal adjustments, and it took me a long time to allow anything like fun into my poetry.
BILLY COLLINSAll they want to do is tie the poem to a chair with a rope and torture a confession out of it. They begin beating it with a hose to find out what it really means.
More Billy Collins Quotes
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That’s the real question for me, is getting the reader into the poem and then taking the reader somewhere, because I think of poetry as a kind of form of travel writing.
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You either continue to write puerile bilge, or you change. In the process of simplifying oneself, one often discovers the thing called voice.
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I write two lines or three lines. I will immediately stop and turn into a reader instead of a writer, and I’ll read those lines as if I had never seen them before and as if I had never written them.
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You come by your style by learning what to leave out. At first you tend to overwrite—embellishment instead of insight.
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Bugs Bunny is my muse.
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There are just long gaps where I can’t find a point of insertion, I can’t find a good opening line.
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I thought I would be completely content if I was recognized at some later point in my life as a third-rate Wallace Stevens.
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I mean, the sonnet will simply tell you, that’s too many syllables or that’s too many lines or that’s the wrong place. So, instead of being alone, you’re in dialogue with the form.
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A motto I’ve adopted is, if at first you don’t succeed, hide all evidence that you ever tried.
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While the novelist is banging on his typewriter, the poet is watching a fly in the windowpane.
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The name of the author is the first to go followed obediently by the title, the plot, the heartbreaking conclusion,
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This love for everyday things, part natural from the wide eye of Infancy, part a literary calculation
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A sentence starts out like a lone traveler heading into a blizzard at midnight, tilting into the wind, one arm shielding his face, the tails of his thin coat flapping behind him.
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I think my work has to do with a sense that we are attempting, all the time, to create a logical, rational path through the day. To the left and right there are an amazing set of distractions that we usually can’t afford to follow. But the poet is willing to stop anywhere.
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Some difficulty is warranted and other difficulty I think is gratuitous. And I think I can tell the difference. There are certainly very difficult poets that I really enjoy reading.
BILLY COLLINS