I’m speaking to someone I’m trying to get to fall in love with me. I’m trying to speak intimately to one person. That should be clear. I’m not speaking to an audience. I’m not writing for the podium.
BILLY COLLINSYou either continue to write puerile bilge, or you change. In the process of simplifying oneself, one often discovers the thing called voice.
More Billy Collins Quotes
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You’ll find i-poetry, you’ll find that you can download poetry, that you can stuff your i-pod with recorded poetry. So just to answer the question that way, I think that poetry is gonna catch up with that technology quite soon.
BILLY COLLINS -
I see woefully obscure poetry as simply a kind of verbal rudeness.
BILLY COLLINS -
The name of the author is the first to go followed obediently by the title, the plot, the heartbreaking conclusion,
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When you get a poem [in a public place], it happens to you so suddenly that you don’t have time to deploy your anti-poetry deflector shields that were installed in high school.
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There are just long gaps where I can’t find a point of insertion, I can’t find a good opening line.
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The first line is the DNA of the poem; the rest of the poem is constructed out of that first line. A lot of it has to do with tone because tone is the key signature for the poem. The basis of trust for a reader used to be meter and end-rhyme.
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Some difficulty is warranted and other difficulty I think is gratuitous. And I think I can tell the difference. There are certainly very difficult poets that I really enjoy reading.
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I could look at you forever and never see the two of us together
BILLY COLLINS -
I think my poems are slightly underrated by the word accessible.
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I hope the poem, as it goes on, gets more complicated, a little more demanding, a little more ambiguous or speculative, so that we’re drifting away from the casual beginning of the poem into something a little more serious.
BILLY COLLINS -
Introduction To Poetry I ask them to take a poem and hold it up to the light like a color slide or press an ear against its hive. I say drop a mouse into a poem and watch him probe his way out, or walk inside the poem’s room and feel the walls for a light switch.
BILLY COLLINS -
…balancing the wish to be lost with the need to be found.
BILLY COLLINS -
But I think you could also put it a different way. You, quote, find your voice, unquote, when you are able to invent this one character who resembles you, obviously, and probably is more like you than anyone else on earth, but is not the equivalent to you.
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I can hear the library humming in the night, a choir of authors murmuring inside their books along the unlit, alphabetical shelves, Giovanni Pontano next to Pope, Dumas next to his son, each one stitched into his own private coat, together forming a low, gigantic chord of language.
BILLY COLLINS -
No one here likes a wet dog.
BILLY COLLINS