Maybe there’s a sense that technology isn’t necessarily the answer to a lot of our problems. Fantasy offers readers a less radically alienated world – a world where desires and feelings that normally are trapped inside your mind are made real in the form of magic.
LEV GROSSMANHis crush went from exciting to depressing, as if he’d gone from the first blush of infatuation to the terminal nostalgia of a former lover without even the temporary relief of an actual relationship in between.
More Lev Grossman Quotes
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A novel with a bad middle is a bad book. A bad ending is something I’ve just gotten in the habit of forgiving.
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Magic is wild, dangerous stuff. You never realize how useful limitations are until it’s much too late.
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A magician is strong because he feels the pain between what the world is and what he would make of it.
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I love playing with the conventions of fantasy, and breaking rules, and crossing lines.
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We have lived too long. The great days are past.
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Supposedly I’ve got traces of an English accent, though I can’t hear it. I must have inherited it from my mother, who’s English, and then I think it was exacerbated by the fact that I live with an Australian.
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We have reached the point where ignorance and neglect are the best we can hope for in a ruler.
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By now he had learned enough to know that when he was getting annoyed at somebody else, it was usually because there was something that he himself should be doing, and he wasn’t doing it.
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The truth doesn’t always make a good story, does it?
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I feel that’s one of the central questions of fantasy. What did we lose when we entered the 20th and 21st century, and how can we mourn what we lost, and what can we replace it with? We’re still asking those questions in an urgent way.
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The problem with growing up is that once you’re grown up, the people who aren’t grown up aren’t fun anymore.
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I’ve only read three books by Stephen King. When I was 10 I read ‘The Long Walk,’ one of his pseudonymous Bachman books. In my early 20s, while trapped on a family vacation, I read ‘The Dark Half,’ which taught me a word I have never forgotten: psychopomp. Now I have read ’11/22/63.’
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You’re all so obsessed with other worlds, you’re so convinced that this one is crap and everywhere else is great, but you’ve never bothered to figure out what’s going on here!
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Don’t take anyone’s writing advice too seriously.
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People – me included – want to get excited about books. Good books are a good thing.
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It turns out that there is something that can compete with free: easy.
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The real world is horrible.
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In a way fighting was just like using magic. You said the words, and they altered the universe. By merely speaking you could create damage and pain, cause tears to fall, drive people away, make yourself feel better, make your life worse.
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I recognize that on paper, you can’t really tell that I’m a fan or a nerd.
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The new Web is a very different thing. It’s a tool for bringing together the small contributions of millions of people and making them matter. Silicon Valley consultants call it Web 2.0, as if it were a new version of some old software. But it’s really a revolution.
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He who completes a quest does not merely find something. He becomes something.
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Young minds – young brains – need stories and ideas like the ones in those [censored and banned] books in order to grow. They need ideas that you disagree with. They need ideas that I disagree with. Or they’ll never be able to figure out what ideas they believe in.
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The danger would be going back, or staying still. The only way out was through. The past was ruins, but the present was still in play.
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I loved fantasy, but I particularly loved the stories in which somebody got out of where they were and into somewhere better – as in the Chronicles Of Narnia, The Wizard Of Oz, The Phantom Tollbooth, the Dungeons & Dragons cartoon.
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The real problem with being around James was that he was always the hero. And what did that make you? Either the sidekick or the villain.
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I came from an anxious, overly intense East Coast academic family. That was the way of our tribe.
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