I am not interested in anything that doesn’t have a genuine heart to it. You’ve got to have soul in the hole. If that isn’t there, I don’t see the point.
NICK CAVEI have things that I’m interested in, and I’m not really interested in writing about anything that I’m not interested in. But it’s important to me to be able to see it from a different perspective, and add something new to the whole picture.
More Nick Cave Quotes
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I’ve always done a lot of research and stuff around the songs that I write so there are pages and pages of writing and you can kind of see these songs emerging.
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We are still struggling with people who don’t feel comfortable going into museums. As a visual artist I ask how artists can be part of enacting a change.
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A gentleman never talks about his tailor.
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I’m a big fan of teatowels and am always on the lookout for a good one.
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I’ve watched ‘Oprah Winfrey.’ And I’m proud. I don’t care what anybody says! I don’t know whether I’ve watched it. I’ve been in the room while it’s been on.
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I’ve always had an obligation to creation, above all.
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To sustain hatred is a very difficult thing to do, year after year. It’s exhausting.
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Inspiration is a word used by people who aren’t really doing anything. I go into my office every day that I’m in Brighton and work. Whether I feel like it or not is irrelevant.
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And she moves among the sparrows. And she floats upon the breeze. She moves among the flowers. She moves something deep inside of me
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The blues is instilled in every musical cell that floats around your body.
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I love being manipulated by what I see. I love weepies and romantic comedies where you’re reaching for the Kleenex at the right moment.
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Certainly being proficient in an instrument does have its problems. Because the better you get, the more you just start sounding like an ordinary guitarist. There are certainly guitarists that transcend that and do really find their sound and all that sort of stuff.
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I think there is a certain perversity in my music in that I continue, you know, to eat at the same ball of vomit year after year.
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It’s always a risky business inviting somebody on stage. You never know what they’re going to do. I try to avoid letting people join me onstage because it can be very distracting, and overly theatrical.
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I don’t really care who collects my work, black, white, red, yellow. You have to also be consciously aware of, what does this mean in your home? And how are you supporting this work and the message behind the work?
NICK CAVE







