I think we’re about ready for a new feeling to enter music. I think that will come from the Arabic world.
BRIAN ENOHuman development thus far has been fueled and guided by the feeling that things could be, and are probably going to be, better.
More Brian Eno Quotes
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Painting, I think it’s like jazz.
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I believe in singing.
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People in the arts often want to aim for the biggest, most obvious target, and hit it smack in the bull’s eye.
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I don’t like celebrity programmes – but I do like programmes about how ideas are formed and evolve.
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If I had a stock of fabulous sounds I would just always use them. I wouldn’t bother to find new ones.
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Once I started working with generative music in the 1970s, I was flirting with ideas of making a kind of endless music – not like a record that you’d put on, which would play for a while and finish.
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If you think of the way a composer or say a pop arranger works – he has an idea and he writes it down, so there’s one transmission loss. Then he gives the score to a group of musicians who interpret that, so there’s another transmission loss.
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I’ve got a feeling that music might not be the most interesting place to be in the world of things.
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I had an interesting day. I was in the studio with a group of musicians, who shall remain nameless, and I said to them “Our exercise today is not to use ‘undo’ at all. So, there’s no second takes. Or, if you do a second take, you have to do the whole take.
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Anything popular is populist, and populist is rarely a good adjective.
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One of the great breakthroughs of evolution theory is that you start with simple things and they will grow into complexity.
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When you look back on a historical period of music, it seems so obvious to you what the characteristics of it are, but they’re not obvious at the time. So, when I look back at my own work.
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Of course, like anybody I repeat myself endlessly, but I don’t know that I’m doing it, usually.
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Set up a situation that presents you with something slightly beyond your reach.
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The muscles are there simply to serve the head. But that isn’t how traditional players work at all; musicians know that their muscles have a lot of stuff going on as well. They’re using their whole body to make music, in fact.
BRIAN ENO