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Sometimes I have these abstract ideas and then lose track of myself.

Julia Stiles

I think it’s really special to be a part of something that people are still watching or thinking about or interested in, or remember fondly many years later. I don’t think it’s annoying at all.
JULIA STILES

People Thinking Years
The only thing that gets me through any type of pain, emotional or physical, is to make it worthwhile by putting it into my work.
JULIA STILES

Emotional Pain Type
In my worst moments, I try to think about loving instead of hating. Creation versus destruction, know what I’m sayin’?
JULIA STILES

Hate Moments Thinking Worst
I’ve always been fascinated with the idea of people paying for sex and what goes on with that and why that happens.
JULIA STILES

Ideas People Sex
I’ve really turned a corner recently in terms of not taking work too seriously, so it is much easier for me to not take my work home.
JULIA STILES

Easier Home Seriously Term
I took the role of Ophelia in Hamlet because she is so naive, loving, and innocent.
JULIA STILES

Innocent Ophelia Roles
As an actor, you’re only one little piece of the puzzle; you’re fulfilling someone else’s vision. If you’re involved earlier on, you’re kind of creating your own.
JULIA STILES

Creating Little Vision
I like analyzing human behavior. It’s complex. That’s what keeps me going.
JULIA STILES

Analyzing Behavior Human
I like a director who is very observant and is watching what I’m doing and noticing what I’m doing, but is giving me time to figure it out. They don’t jump right in and give you a note before you’ve had time to really search on your own with how to do a scene.
JULIA STILES

Directors Giving Scene
I pretty much grew up in public.
JULIA STILES

Grew Much Public
We can become very short-sighted in terms of objectives. The first thing to go during times of economic crisis and budget cuts is funding for things that are essential and not-quantifiable, like the arts. Save Big Bird
JULIA STILES

Art Bird Cutting Funding Times
The thing with the Bourne movies is that they’re so big in scope and the production value is so high and it takes so much organization.
JULIA STILES

Bigs Organization Scope
I did a different production with a different director and Bill Pullman. Oleanna – the one you saw – we were doing right after Bourne Identity or right after it came out.
JULIA STILES

Bills Identity Saws
In my early career, I look at that time as a series of trial and error and learning as I go.
JULIA STILES

Careers Error Errors Trial
Yoga has stopped me from destroying my joints after running. It slows me down.
JULIA STILES

Joints Running Yoga
I am forever grateful that I got some training in the theater – it reduces performance anxiety.
JULIA STILES

Anxiety Forever Grateful

Sometimes I have these abstract ideas and then lose track of myself.

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Sometimes I have these abstract ideas and then lose track of myself.

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