It’s as hard to explain as a sexual proclivity. Some guys like high-heeled shoes. I like horror.
GUILLERMO DEL TOROBut I think we are seeing a resurgence of the graphic ghost story like The Others, Devil’s Backbone and The Sixth Sense. It is a return to more gothic atmospheric ghost storytelling.
More Guillermo del Toro Quotes
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If you don’t take it personally, the partnership between producers and directors is very intimate.
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…there’s something about maternal love – it might just be the strongest human spiritual bond there is.
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I’m a big fan of the Harry Potter books, but I’d love to do one where one of the kids dies, or one of the main characters dies. I love for those things to have a little bit more tragedy.
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At some point, in order to gain his identity, the kid goes “I’m not my dad” or “I’m not my mom.”
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But I think we are seeing a resurgence of the graphic ghost story like The Others, Devil’s Backbone and The Sixth Sense. It is a return to more gothic atmospheric ghost storytelling.
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There are two levels of vampirism: one is the regular vampire, which is just like it has always been; and then there’s the super vampires, which are a new breed we’ve created.
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I had gotten to the point where I just didn’t want to perform anymore – I didn’t want to be on the chopping block anymore. I started to want to withdraw and retreat from it.
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I think part of making movies is dealing with restrictions of freedom and budget. I’d rather deal with restrictions of budget. It’s better to feel free within any budget.
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I love REAL set construction and think that sets are very important part of the storytelling and scope of a film.
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For me, lost causes are the only ones that are worth fighting for. The other stuff is not worth fighting for.
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You can’t explain success in retrospect. The moment you leap into the void, that moment is impossible to negate, after success.
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I think when the joke comes from the situation in a horror film, it’s really great. I don’t like jokey horror films like where people are cracking a joke or being post-modern about it.
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When you shoot in America, you have huge beams of sunlight in the windows, very vivid sunlight – it’s faster in a way.
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For Devil’s Backbone I loved it but I felt very pressured but so I was neurotic on the shoot.
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Somebody said to me, in a very well-meaning way, at a screening, “We love the movie but it’s too violent. If you tone down the violence you could reach a great audience of kids.”.
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