As a first-time director, you cannot have final cut. But as a producer, you can have final cut.
GUILLERMO DEL TOROThere are two levels of vampirism: one is the regular vampire, which is just like it has always been; and then there’s the super vampires, which are a new breed we’ve created.
More Guillermo del Toro Quotes
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I really wanted the house to be a character. And I knew, I said, I’ll produce that one, but if I direct it, I need to build a house.
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I only produce directors and movies that I have a lot in common with.
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If you don’t take it personally, the partnership between producers and directors is very intimate.
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You have to believe the magic to see it.
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I think when the joke comes from the situation in a horror film, it’s really great. I don’t like jokey horror films like where people are cracking a joke or being post-modern about it.
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At some point, in order to gain his identity, the kid goes “I’m not my dad” or “I’m not my mom.”
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People think you’re like The Godfather, waiting for scripts to come in. But, you’re hustling, you’re desperate, you’re panicked and you’re horrified. The movie you think you’re going to do next, you don’t do. The movie you think you’re never going to do, you make.
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But I think we are seeing a resurgence of the graphic ghost story like The Others, Devil’s Backbone and The Sixth Sense. It is a return to more gothic atmospheric ghost storytelling.
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I love REAL set construction and think that sets are very important part of the storytelling and scope of a film.
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I had gotten to the point where I just didn’t want to perform anymore – I didn’t want to be on the chopping block anymore. I started to want to withdraw and retreat from it.
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I’m a movement Nazi. It used to be my way before. Now, in the last three projects. I found a way to let the actors find their comfort and still find the precision in the show. It’s a change in me.
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I think part of making movies is dealing with restrictions of freedom and budget. I’d rather deal with restrictions of budget. It’s better to feel free within any budget.
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I only produce movies that have something stylistically different, so that I can learn from the experience of producing.
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When somebody says something I don’t agree with, I say I’d rather not. It comes to the point where that is the strongest form of resistance. As a Mexican, it took me a long while to learn one word in English, “no”. And that is the one word we have in common.
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I see horror as part of legitimate film. I don’t see it as an independent genre that has nothing to do with cinema.
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There are a lot of period movies where they say, ‘This is a portrait of Lady Whatever.’ And it’s done in like a 1950s or 60s style.
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When you shoot in America, you have huge beams of sunlight in the windows, very vivid sunlight – it’s faster in a way.
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You think if you work hard enough, you can fix the precious things you’ve broken – rather than being careful with them in the first place.
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Movies that look safe are less interesting.
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Power revealed is power sacrificed. The truly powerful exert their influence in ways unseen, unfelt. Some would say that a thing visible is a thing vulnerable.
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I think once a Catholic, always a Catholic. You never escape. I still have Catholic guilt. It is in its basis a really powerful religion and a really strong set of beliefs. They permeate my work in many ways.
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You can’t explain success in retrospect. The moment you leap into the void, that moment is impossible to negate, after success.
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I’m a big fan of the Harry Potter books, but I’d love to do one where one of the kids dies, or one of the main characters dies. I love for those things to have a little bit more tragedy.
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Genius is the true mystery, and at its edge–the abyss.
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You can always go back to not making any money, and then you get the freedom. And I’m going to continue doing it, because it really is a fantastic sense of liberation.
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I like actors that are good with pantomime and that can transmit a lot by their presence and attitude more than through their dialogue
GUILLERMO DEL TORO