That’s why I have to be a fiction writer, because I can’t remember what just happened or where I went last week or what movie I just watched with my husband. I’m better off just making things up.
BONNIE JO CAMPBELLI realized that I was writing about folks with lots of skills, especially fix-it skills and survival skills, who were nonetheless not doing well in the new-millennium America.
More Bonnie Jo Campbell Quotes
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There are dozens of emails daily, gardening, lots of dishes (where do all these dishes come from?), daily family emergencies, and, of course, the petting of the donkeys. The smell of donkeys is heavenly, and their he-honking is the sweetest music. I feel calm just thinking about them.
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I can’t personally drink or fight too much nowadays because I have to be perky in the morning in order to write.
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In a regular class I don’t focus on the form, but I think that focus is helpful for brainstorming and coming up with ideas quickly, especially with autobiographical material.
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Men didn’t understand that you couldn’t let yourself be consumed with passion when there were so many people needing your attention, when there was so much work to do.
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Time is never wasted coming to an old man bar.
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My donkeys are Jack and Don Quixote. They’re very smart, very cautious. Much of what people consider stubbornness in donkeys is actually cautiousness.
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I always felt a weird obligation to be adventurous.
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I think by writing about a place with great specificity, you manage to make it universal.
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I was never a big reader as a kid. My imagination wasn’t captured by books very often. It was captured more often by boys and partying and riding horses.
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All those are locked up tight, of course. We have a couple of pellet guns that get more use than the real guns.
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For ‘King Cole’s American Salvage,’ I rode around in the wrecker with a local driver and watched him deal with customers and hook up the cars.
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Since I’m living with the violence and trouble in my brain, it’s kind of a relief to write about it, to get it on paper, to put it in context, to find meaning in it.
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You can’t beat a good sonnet, and you can write a sonnet without being married to the damned thing.
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I’ve worked behind counters serving food, and I’ve lived on the circus train, and I’ve led bicycle tours in Eastern Europe and the Balkans and Russia. I’ve been a key liner for a newspaper, I’ve done typesetting. Oh, all sorts of things.
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Mostly the natural landscapes work as a sounding board for my characters, so they can understand themselves, and it acts as a mirror in which we readers see ourselves.
BONNIE JO CAMPBELL