My lyrics are generated by various peculiar processes. Very random and similar to automatic writing.
BRIAN ENOWhen you look back on a historical period of music, it seems so obvious to you what the characteristics of it are, but they’re not obvious at the time. So, when I look back at my own work.
More Brian Eno Quotes
-
-
Some people are very good at being ‘stars’ and it suits them. I’m grudging about it and I find it annoying.
BRIAN ENO -
As soon as you externalize an idea you see facets of it that weren’t clear when it was just floating around in your head.
BRIAN ENO -
The artists of the past who impressed me were the ones who really focused their work.
BRIAN ENO -
For me it’s always contingent on getting a sound-the sound always suggests what kind of melody it should be. So it’s always sound first and then the line afterwards.
BRIAN ENO -
When I’ve finally got the title, I think, “Okay, yes, now I know where we are. Now I know what it is. Fine, that must be finished or nearly finished.
BRIAN ENO -
Avant-garde music is sort of research music. You’re glad someone’s done it but you don’t necessarily want to listen to it.
BRIAN ENO -
One of the interesting things about having little musical knowledge is that you generate surprising results sometimes; you move to places you wouldn’t if you knew better.
BRIAN ENO -
I hate the rock music tradition. I can’t bear it!
BRIAN ENO -
I hate the way CDs just drone on for bloody hours and you stop caring.
BRIAN ENO -
If I tried to make a commercial album, it would be a complete flop. I have no idea what the world at large likes.
BRIAN ENO -
The reason I don’t tour is that I don’t know how to front a band. What would I do? I can’t really play anything well enough to deal with that situation.
BRIAN ENO -
The vinyl commands a certain kind of reverence because it’s a big object and quite fragile so you handle it rather carefully, and it’s expensive so you pay attention to how it’s looked after.
BRIAN ENO -
The muscles are there simply to serve the head. But that isn’t how traditional players work at all; musicians know that their muscles have a lot of stuff going on as well. They’re using their whole body to make music, in fact.
BRIAN ENO -
With all fashion, what we do is play at being somebody else. We play at inhabiting another kind of world.
BRIAN ENO -
I love the sort of ambivalence of this, the ambiguity of something – being, for instance, in a quite busy Mexican restaurant with one of these very gentle tracks playing I remember as being particularly nice.
BRIAN ENO