I think my poems are slightly underrated by the word accessible.
BILLY COLLINSI’m speaking to someone I’m trying to get to fall in love with me. I’m trying to speak intimately to one person. That should be clear. I’m not speaking to an audience. I’m not writing for the podium.
More Billy Collins Quotes
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It’s a good thing to get poetry off the shelves and more into public life.
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A motto I’ve adopted is, if at first you don’t succeed, hide all evidence that you ever tried.
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I think the pleasure of form is that you have a companion with you besides all the poetry you have ever read.
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There are just long gaps where I can’t find a point of insertion, I can’t find a good opening line.
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That’s the real question for me, is getting the reader into the poem and then taking the reader somewhere, because I think of poetry as a kind of form of travel writing.
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I’m very conscious of the fact that every line should have a cadence to it. It should contribute to the progress of the poem. And that the ending of the line is a way of turning the reader’s attention back into the interior of the poem.
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I could feel the day offering itself to me, and I wanted nothing more than to be in the moment-but which moment? Not that one, or that one, or that one.
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…balancing the wish to be lost with the need to be found.
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To write poetry is to be very alone, but you always have the company of your influences. But you also have the company of the form itself, which has a kind of consciousness.
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In the process of simplifying oneself, one often discovers the thing called voice.
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I always think W.S. Merwin’s poems will last of anyone writing today. If I had to bet on posterity I would bet Merwin.
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I’m a line-maker. I think that’s what makes poets different from prose-writers. That’s the main way. We think, not just in sentences the way prose writers do but also in lines. So we’re doing these two things at the same time.
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It is as if one by one, the memories you used to harbor decided to retire to the Southern Hemisphere of the brain.
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Poems are not easy to start, and they’re not easy to finish. There’s a great pleasure in – I wouldn’t say ease, but maybe kind of a fascinated ease that accompanies the actual writing of the poem. I find it very difficult to get started.
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I can hear the library humming in the night, a choir of authors murmuring inside their books along the unlit, alphabetical shelves, Giovanni Pontano next to Pope, Dumas next to his son, each one stitched into his own private coat, together forming a low, gigantic chord of language.
BILLY COLLINS