I’m pro-life, in the sense that chaos seems like life to me and order seems like death.
BONNIE JO CAMPBELLSo maybe nature also works as a metaphor for whatever emotional troubles my characters have to negotiate. I’m interested in my characters as survivors, and maybe that works best when the old-fashioned notion of humans surviving in wilderness is not too far away.
More Bonnie Jo Campbell Quotes
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Men didn’t understand that you couldn’t let yourself be consumed with passion when there were so many people needing your attention, when there was so much work to do.
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I worked probably fewer jobs than most people, or fewer real soul-killing jobs than other people. I’ve been a typist, a typesetter, a keyliner, cappuccino-maker. I think I’ve been pretty lucky.
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I thought that you had to learn to write by yourself and if you couldn’t do it, then you were out of luck.
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All those are locked up tight, of course. We have a couple of pellet guns that get more use than the real guns.
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A mathematical proof is beautiful, but when you’re finished, it’s really only about one thing. A story can be about many things.
BONNIE JO CAMPBELL -
Being five-foot-ten at fourteen years old was a little bit scary.
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I’m of the people in the bar and the people in my stories. They are my tribe.
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I like living near my family, and near the people I understand the best. The landscape of Michigan speaks to me, and the humility and humor of the people here makes sense. It just feels right to live here, in a place where I don’t dare put on airs.
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That’s why I have to be a fiction writer, because I can’t remember what just happened or where I went last week or what movie I just watched with my husband. I’m better off just making things up.
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I’m not much interested in my own self when I write. I’m interested in what I observe out there, what’s going on around me.
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Mostly the natural landscapes work as a sounding board for my characters, so they can understand themselves, and it acts as a mirror in which we readers see ourselves.
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It occurred to Susan that men were always waiting for something cataclysmic-love or war or a giant asteroid.
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We know that we need to explore desire in fiction – many say that the only way a story exists is that a character feels a strong desire – and nature is the place where creatures act on their desires in the most pure way imaginable.
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In fact, when I finally realized I was really going to write, when I was about thirty-four, I was working on my Ph.D. in Mathematics.
BONNIE JO CAMPBELL -
So maybe nature also works as a metaphor for whatever emotional troubles my characters have to negotiate. I’m interested in my characters as survivors, and maybe that works best when the old-fashioned notion of humans surviving in wilderness is not too far away.
BONNIE JO CAMPBELL






