“I’m proud of the way I rearrange and put things together, like a chef who makes a great meal, or a filmmaker who puts together a story – it’s casting, editing, cinematography.”

If you don’t think drugs have done good things for us, then take all of your records, tapes and CD’s and burn them.

Really important issues are getting lost, so I can say I’m glad to be a citizen of the planet and do my part.

Remember that time you tried to hump the bridge?

I didn’t have the time to literally write and draw the strip at the same time.

Hey Susie Derkins, is that your face, or is a ‘possum stuck in your collar?

You don’t have to look a certain way to have a hit record.

We just magically thought this was all going to happen: we were going to have clean food, and organic this, and conscious that, and it just didn’t happen.

We can live in fear or act out of hope.

The connection between toxicity and cancer and safe air and water and food, all of that was important all along, as were women’s and human rights issues, but the nuke issue and the safe energy movement became really important to me in the mid-’70s.

I’ve been lucky enough that I can gather all sorts of experiences and find inspiration by traveling around and by spending time with people I admire.

How I measure success is getting to make another record and being able to the come back to the same town and play again cause you sold out the last time.

I can’t make you love me if you don’t, You can’t make your heart feel something it won’t.

In 1967 I entered Harvard as a freshman, confident – in the way that only 17-year-olds are – that I could change the world.

If we are truly each other’s keepers, let’s support school lunches, food stamps, neighborhood garden projects, and so many other wonderful programs working to put an end to this cruel and needless blight once and for all.

I was already doing really well in terms of my goals, to keep my fans coming back.

There’s a balance between ballads and kick-ass songs.

It’s a nightmare of editing. That’s what I do all day.

As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.

I confess that Roy [Stryker] was a little bit dictatorial in his editing and he ruined quite a number of my pictures, which he stopped doing later. He used to punch a hole through a negative. Some of them were incredibly valuable. He didn’t understand at the time.

When you’re done shooting, the movie that you’re going to release when you’re done shooting is as bad as it will ever be.

As soon as digital editing came about, I immediately made the switch to digital.

You can assume all photo and video is constructed as a fiction controlled by the person holding the camera and the person who is editing.

Rides in the whirlwind and directs the storm.

That’s the thing about making a movie: You never finish editing. They just take it away from you.