I don’t want to discredit people’s opinions of me, but you talk about the violin or the cello or lead guitar where you have to learn tons of chords, that’s much more difficult.
BONNIE RAITTThere’s a balance between ballads and kick-ass songs.
More Bonnie Raitt Quotes
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I have been really heartened by how much coverage there has been about inequality of pay across the board, between the entertainment industry and almost every industry worldwide.
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Sometimes I’m more true when I’m up onstage than I’m able to be in my regular life. It’s not as exciting to be at home, but I’ve got to learn how to make that work, and then I will be an ordinary woman.
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I didn’t have to be a pop singer with a certain look. When I started, there was really a revolution in natural artists with blues and folk artists crossing over; otherwise, I wouldn’t have been able to get started.
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There’s a balance between ballads and kick-ass songs.
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In blues, classical and jazz, you get more revered with age.
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It can unite kids and musicians, everybody, whether they’re leftist or rightist, or radical, or Republican, because energy is energy. But in fact, it is a real political struggle – it shows people that it’s big business against the people.
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I like to think I get better with age, but maybe absence makes the heart grow fonder.
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How I measure success is getting to make another record and being able to the come back to the same town and play again cause you sold out the last time.
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I just play the music that I love with musicians that I respect, and fortunately, I’m in a position where people are willing to play with me, and perhaps I can do something to help them.
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People write me letters and thank me for turning them on to Fred McDowell and Sippie Wallace, and that’s partly my job this time around.
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We can choose, you know, we ain’t no amoeba.
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I’m proud of the way I rearrange and put things together, like a chef who makes a great meal, or a filmmaker who puts together a story – it’s casting, editing, cinematography.
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It is still a surprise when people tell me that I’ve had an influence on them, particularly when it’s someone I really respect.
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There were so many great music and political scenes going on in the late ’60s in Cambridge. The ratio of guys to girls at Harvard was four to one, so all of those things were playing in my mind.
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I grew up in Los Angeles in a Quaker family, and for me being Quaker was a political calling rather than a religious one.
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When they were putting oil rigs up and down the California coast, the whole issue of safe energy and the addiction to fossil fuels really came into focus.
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Really important issues are getting lost, so I can say I’m glad to be a citizen of the planet and do my part.
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The fifth member of my band is my non-profit work.
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How unthinkable that, in a country of such bursting plenty, so many people are facing ongoing hunger and poverty.
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Jazz and blues fests are everywhere now, and Americana is going strong on college radio. What I’m hearing is an appreciation of real music.
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In 1967 I entered Harvard as a freshman, confident – in the way that only 17-year-olds are – that I could change the world.
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I’m sure I would have been considered a more significant artist if I was a singer-songwriter. It’s just not the way I roll. I love being a curator and a musicologist.
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The generation I grew up in was the beginning of “stand up for yourself,” whether being a singer-songwriter or a feminist. In my college years, the feminist movement was really coming to fore, so we wouldn’t have put up with guys treating us less than equal.
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Religion is for people who are scared to go to hell. Spirituality is for people who have already been there.
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I thought I had to live that partying lifestyle in order to be authentic, but in fact if you keep it up too long, all you’re going to be is sloppy or dead.
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I can’t make you love me, if you don’t.
BONNIE RAITT