Introduction To Poetry I ask them to take a poem and hold it up to the light like a color slide or press an ear against its hive. I say drop a mouse into a poem and watch him probe his way out, or walk inside the poem’s room and feel the walls for a light switch.
BILLY COLLINSThis love for everyday things, part natural from the wide eye of Infancy, part a literary calculation
More Billy Collins Quotes
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It is as if one by one, the memories you used to harbor decided to retire to the Southern Hemisphere of the brain.
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I think my poems are slightly underrated by the word accessible.
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There are just long gaps where I can’t find a point of insertion, I can’t find a good opening line.
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In the process of simplifying oneself, one often discovers the thing called voice.
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Bugs Bunny is my muse.
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I think the pleasure of form is that you have a companion with you besides all the poetry you have ever read.
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I see the progress typical in some of my poems as starting with something simple and moving into something more demanding. This is certainly the pattern of weird poetry.
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You either continue to write puerile bilge, or you change. In the process of simplifying oneself, one often discovers the thing called voice.
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(Again I’m trying to give you a finite version of this career.) And then I came under the sway of Wallace Stevens when I was in college and graduate school, and basically set as a life goal the ambition of writing third-rate Wallace Stevens.
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Humor is just an ingredient. It’s always been in poetry. It kind of dropped out of poetry I think during the 19th and up to the mid-twentieth century. But it’s found its way back. And it’s simply an ingredient.
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I see woefully obscure poetry as simply a kind of verbal rudeness.
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Some difficulty is warranted and other difficulty I think is gratuitous. And I think I can tell the difference. There are certainly very difficult poets that I really enjoy reading.
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I had a sense, I guess, from just reading a lot of poetry of how a poem would start and how it would end but really I didn’t know what I was doing. It had very little connection to my life.
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I was a pretty happy kid, I had to fake it. I had to get into this miserable character before I wrote poems.
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Listeners are kind of ambushed… if a poem just happens to be said when they’re listening to the radio. The listener doesn’t have time to deploy what I call their ‘poetry deflector shields’ that were installed in high school – there’s little time to resist the poem.
BILLY COLLINS