I never go on the net or the web, or whatever it’s called.
BILL NIGHYI love playing half squid/half crab guy because you can get away with a level of acting that if you tried it anywhere else they’d arrest you for crimes against acting.
More Bill Nighy Quotes
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More people saw me in ‘Love Actually’ than had seen me in everything else I had ever done up to that point.
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I have never owned a computer. I am one of those weirdos. I’ve never needed a computer. I’m lucky that I have a job where I’m not required to use one.
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I’m always happy when actors get rich, because the odds on it are so long!
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I used to do nothing but plays. I’ve been very fortunate that on several occasions I’ve had jobs where I didn’t want to be anywhere else in the world whatever you had to offer – however much money you’ve got
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They’re at their most enchanting ’cause they just want to put it off, so they do a cabaret for you. You sit there thinking, “Please don’t let this end.”
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I love playing half squid/half crab guy because you can get away with a level of acting that if you tried it anywhere else they’d arrest you for crimes against acting.
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You can ruin your life wanting to be an actor.
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I got briefly mistaken for someone who might be good in bed, which was very, very good.
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I’m a jacket man. And if I’m without one, I am kind of seriously disabled. I don’t know how to operate in shirt sleeves.
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I quoted David Hare one of his lines the other day to illuminate whatever point we were trying to make in the conversation, and I said ‘What play was that?’ and he said ‘It was your line, you said it about a hundred and fifty times in The Vertical Hour.’
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When a movie is called ‘searingly honest,’ it’s almost invariably grim and demonstrates how bad things can get.
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You get older and you see yourself and say, ‘God, he’s old, who’s that?’
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I like being in kids’ movies, and I like being in family movies.
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So there are things like projection and filling the room, and not dropping the ends of lines – technical things which are important, but I don’t think they change the way I feel in a scene.
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I’m probably the only person who actually remembers pirate radio.
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I’m not famous for my back story investigations; I’m lucky that I work with good writers and it’s usually in the script.
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I’m just aware of what I’m thinking and feeling but I do obviously have to get that to the back of the auditorium.
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I really have no interest in delivering the iambic pentameter, I just want to kill myself. I don’t mind other people doing it. I say that, but really I don’t want to watch other people doing it. I get embarrassed.
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I don’t think there’s an improvised word in the movie. I hope not because I admire writing. Improvising is kind of gambling. It’s just that you’re standing up.
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Jerry Bruckheimer says that he makes films that he would want to see, and it seems that that coincides with what a lot of people want to see.
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I used to joke that one of the reasons there was a lack of classical work on my CV was because I couldn’t operate in those kinds of trousers. Which is a joke, but it’s actually also true – if I want to appear in public I want to look my best.
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With stage, you feel completely like you’re just in a bubble. I love not being able to see anything. I love coming out and I can’t see anything because the lights are so bright and it’s pitch black. That’s ideal for me, that’s when I have the best time.
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You tell yourself that you’re not auditioning but of course you work like crazy, and you prepare like mad. And you think, “Well, I won’t get that job. But maybe they’ll have another job sometime, and they’ll remember that I was good.”
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I don’t even own a car.
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I don’t want to associate myself with any specific group of politicians.
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Actors always talk about taking their work home and I always think: ‘What are you on? You just turn it off. You are at work and then you go home.’
BILL NIGHY