“You should never rely on interviews with musicians as being factual.”

That’s the most important thing, to get along with people. When you feel like you click with them.

I have always been a singer, a writer, and a musician, not as a prodigy or as in a trade handed to me by my parents, but because of an inner voice or maybe a command from beyond reality as it is usually defined.

Bob Dylan is quite a songwriter, and a great singer and musician. I won’t bother with comparing myself to him, but I will say that I heard his records at a very young age and I still listen to all his records.

I don’t like to have everything all worked out in my head because there’s always a chance of it coming out different than you think it should anyway.

I think everybody has a painter inside of them somewhere.

I have had UFO experiences, and yet, at the same time, I can easily be convinced that none of it is true. It’s hard to say whether or not you’re a believer.

It’s obvious you shouldn’t steal, kill or be cruel.

I don’t want to do children’s music. I write kids songs, but the kids songs I write are for my kids – like when I’m putting them to bed.

I’m always looking to rock out. But it isn’t really about rocking out versus being mellow, in terms of your personal satisfaction. In the end, you just want to be good.

When I think about that I get stimulated and excited. It’s a feeling that you can’t label with words.

You think you’ve made something really great, but there’s a reason why it’s not resonating the way some previous work did. But it’s not that easy to just replicate.

If I have more creativity that I want to get out of me, I try to find other ways than pursuing solo records so much.

This is a particular thing, you know, catholic stories of martyrs who had their head removed and then continued to be miraculous in the last moments of their life.

That’s more important even then what their background is or what they’ve done before, how good they are, how new they are or whatever. All that stuff is really secondary to just getting along with the person.

I don’t want to be flaky. I don’t want to be some temperamental, hard-to-work-with musician.

Wise is the tongue, wet of perfect thought.

I don’t mind being identified as any character as long as I’m doing a good job as an actor. I have done all kinds of roles – from an editor, judge, police officer, murderer to a corrupt businessman.

But editors are still the world’s readers. And thus the eyes of the world.

Deep Throat was a very unfortunate name given to the source by the managing editor of The Washington Post.

I got tired of people complaining that it was too hard to use UNIX because the editor was too complicated.

There are just two people entitled to refer to themselves as “we”; one is the editor and the other is the fellow with a tapeworm.

I think one of the interesting things is that vi is really a mode-based editor.

The Denver Post has actually hired an editor to promote pot.

It seems from my unique vantage point as both scientist and editor of JSE that substantial evidence exists of “something going on”.