I come from an art history background. I studied at a master’s degree level; I chose to dork out on art for much of my adult life.
BLACK FRANCISYou should never rely on interviews with musicians as being factual.
More Black Francis Quotes
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There’s more to life than listening to rock music.
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If you’re a good band then the filter of the band is pretty strong.
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This is a particular thing, you know, catholic stories of martyrs who had their head removed and then continued to be miraculous in the last moments of their life.
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There was a f**king review in f**king Melody Maker [of the first BOSSANOVA single, ‘Velouria’] – ‘Sounds like someone’s been taking singing lessons’. Like, motherf**king A! I am the singer.
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As soon as I got into music, I tried to be a working, real artist who gets paid for what he does, who doesn’t have a day job.
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Wise is the tongue, wet of perfect thought.
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I don’t make records that way, where I’m trying to please the marketplace or anything. Not because I have anything against that, it’s just never been a part of my aesthetic, even when I was with the Pixies.
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I think if everyone agrees that that’s the goal then it doesn’t matter who’s the band and it doesn’t matter who’s the producer. It just means that that you try to realise the ambition no matter what the situation is or who the people are.
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I don’t want to do children’s music. I write kids songs, but the kids songs I write are for my kids – like when I’m putting them to bed.
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I have two step-kids and one of my own on the way. That’s three college funds.
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Who do sing SONGS. It’s like I never sang before; like I was – I don’t know – reading PROSE on my previous records and now I sing. EXCUUUUUUSE me for singing
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It’s sour grapes, I admit, I want to be more famous so people are examining my work couplet by couplet, you know what I mean? That’s the level where I want to go.
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I initially felt shy about doing painting because I wasn’t a professional painter. I almost felt like I didn’t deserve to paint. But I have gradually adopted a different kind of attitude about this.
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For some artists the live performance is the chicken before the egg of writing or recording of repertoire. For other artists the writing or recording of repertoire is the chicken before the egg of live performance.
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Some people think, “Oh, just go do that thing you used to do before.” But it just doesn’t work like that. It’s a lot more mysterious or slippery.
BLACK FRANCIS