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You come by your style by learning what to leave out. At first you tend to overwrite—embellishment instead of insight.

Billy Collins

I could feel the day offering itself to me, and I wanted nothing more than to be in the moment-but which moment? Not that one, or that one, or that one.
BILLY COLLINS

Feels Moments Offering
More often than not in poetry I find difficulty to be gratuitous and show-offy and camouflaging, experimental to a kind of insane degree – a difficulty which really ignores the possibility of having a sensible reader.
BILLY COLLINS

Degrees Experimental Insane Kind More Often
I think clarity is the real risk in poetry because you are exposed. You’re out in the open field. You’re actually saying things that are comprehensible, and it’s easy to criticize something you can understand.
BILLY COLLINS

Clarity Comprehensive Exposed Real Risk Thinking
I’m a line-maker. I think that’s what makes poets different from prose-writers. That’s the main way. We think, not just in sentences the way prose writers do but also in lines. So we’re doing these two things at the same time.
BILLY COLLINS

Different Thinking Two
Poems are not easy to start, and they’re not easy to finish. There’s a great pleasure in – I wouldn’t say ease, but maybe kind of a fascinated ease that accompanies the actual writing of the poem. I find it very difficult to get started.
BILLY COLLINS

Difference Ease Graduation Kind Writing
The mind can be trained to relieve itself on paper.
BILLY COLLINS

Mind Paper Relieve Trained
But my heart is always propped up in a field on its tripod, ready for the next arrow.
BILLY COLLINS

Arrows Fields Heart
I saw him looking up at her and what she was doing the way the eyes of saints are painted when they are looking up at God when he is doing something remarkable, something that identifies him as God.
BILLY COLLINS

God Looking Remarkable Saint Something
Death is what makes life fun.
BILLY COLLINS

Death Fun Life
There are just long gaps where I can’t find a point of insertion, I can’t find a good opening line.
BILLY COLLINS

Air Fall Insertion Open Time Writing
You either continue to write puerile bilge, or you change. In the process of simplifying oneself, one often discovers the thing called voice.
BILLY COLLINS

Simplifying Thing Voice
In the process of simplifying oneself, one often discovers the thing called voice.
BILLY COLLINS

Oneself Process Voice
I write with a Uni-Ball Onyx Micropoint on nine-by-seven bound notebooks made by a Canadian company called Blueline. After I do a few drafts, I type up the poem on a Macintosh G3 and then send it out the door.
BILLY COLLINS

Doors Notebook Writing
I write two lines or three lines. I will immediately stop and turn into a reader instead of a writer, and I’ll read those lines as if I had never seen them before and as if I had never written them.
BILLY COLLINS

Instead never Reader Stop Writer Written
But some nights, I must tell you, I go down there after everyone has fallen asleep. I swim back and forth in the echoing blackness. I sing a love song as well as I can, lost for a while in the home of the rain.
BILLY COLLINS

Echoing Everyone Home Rain Song Tell
It is as if one by one, the memories you used to harbor decided to retire to the Southern Hemisphere of the brain.
BILLY COLLINS

Brain Memories Southern

You come by your style by learning what to leave out. At first you tend to overwrite—embellishment instead of insight.

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You come by your style by learning what to leave out. At first you tend to overwrite—embellishment instead of insight.

Related Topics

Popular Authors

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