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In the process of simplifying oneself, one often discovers the thing called voice.

Billy Collins

It’s time to float on the waters of the night. Time to wrap my arms around this book and press it to my chest, life preserver in a seat of unremarkable men and women anonymous faces on the street, a hundred thousand unalphabitized things a million forgotten hours.
BILLY COLLINS

Arms Book Men Night Preserve Press
To write poetry is to be very alone, but you always have the company of your influences. But you also have the company of the form itself, which has a kind of consciousness.
BILLY COLLINS

Consciousness Lines Mean Writing
I felt at some point that I had nothing to lose, and [laughs] maybe I was wrong. I think, you know, there’s always these little autobiographical secrets behind things. I think I was really attacking my earlier self, and this kind of pretentious figure.
BILLY COLLINS

Laughing Self Thinking
The really authentic thing about humor is that anyone can pretend to be serious. Anyone who’s ever had a job – in fact, we’re pretending to be serious now, more or less.
BILLY COLLINS

Anymore Facts Jobs Serious
I’m just writing, trying to write in a fairly quiet tone to one other reader who is by herself, or himself, and I’m trying to interrupt some silence in their life, which is utterance.
BILLY COLLINS

Himself Interrupt Other Reader Utterance
And the reason I am writing this on the back of a manila envelope now that they have left the train together is to tell you that when she turned to lift the large, delicate cello onto the overhead rack.
BILLY COLLINS

Eye Left Overhead Rack Tell Together Writing
Death is what makes life fun.
BILLY COLLINS

Death Fun Life
All they want to do is tie the poem to a chair with a rope and torture a confession out of it. They begin beating it with a hose to find out what it really means.
BILLY COLLINS

Beating Mean Rope Tie Ties
I could feel the day offering itself to me, and I wanted nothing more than to be in the moment-but which moment? Not that one, or that one, or that one.
BILLY COLLINS

Feels Moments Offering
When you get a poem [in a public place], it happens to you so suddenly that you don’t have time to deploy your anti-poetry deflector shields that were installed in high school.
BILLY COLLINS

Inspiration Motivation School
I want them to waterski across the surface of a poem waving at the author’s name on the shore. But all they want to do is tie the poem to a chair with rope and torture a confession out of it. They begin beating it with a hose to find out what it really means.
BILLY COLLINS

Across Ant Confession Poem Shore Waving
Introduction To Poetry I ask them to take a poem and hold it up to the light like a color slide or press an ear against its hive. I say drop a mouse into a poem and watch him probe his way out, or walk inside the poem’s room and feel the walls for a light switch.
BILLY COLLINS

Mean Names Wall
I see all of us reading ourselves away from ourselves, straining in circles of light to find more light until the line of words becomes a trail of crumbs that we follow across a page of fresh snow.
BILLY COLLINS

Circles Light Reading
I thought originally when I was in school and I wanted to be a poet, I knew that poets seemed to be miserable.
BILLY COLLINS

Miserable Poet School
I find it strange that – at least in my take on it – the people who are the most alarmed about the dire times we live in are the ones who seem to be humorless, in their taste for poetry anyway.
BILLY COLLINS

Alarmed Humorless People Thinking Way
Form is any aspect of a poem that encourages it to stay whole and not drift off into chaos.
BILLY COLLINS

Aspect Chaos Form

In the process of simplifying oneself, one often discovers the thing called voice.

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In the process of simplifying oneself, one often discovers the thing called voice.

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