“Your job as an actor is to stay employed.”

I believe there’s a huge distinction between un macho and a real man. I don’t think you have to be one to be another.

I’ve made a career over the last seventeen years of mostly playing men in uniform, especially cops. The one thing for an actor that is death, is if you’re bored. The boredom will show in your work.

As an audience member, I like watching Rupert as an actor when he’s most playful. I think Rupert is really adept at comedy; I think that’s where his strength lies.

So there was an inherent challenge in trying to keep it fresh, because it’s something that I’m familiar with, but the real draw for me was at long last to work with Halle.

I count it as a major victory to not only be on a series that’s had a full season run, but to actually be on one that’s gotten picked up for a second season.

I come from a large family so you can count on the fact that I’m going to have more kids.

Part of my aspiration as a film actor is to bring subtlety to everything I do – honesty but subtlety.

I’ve been in scenarios as an actor where you have to manufacture an emotion that’s not really there, but it wasn’t hard with Halle because she’s a great person and very beautiful, so it ain’t a tough job at the end of the day.

No matter what your native tongue is, no matter what part of the world you’re from, if your native tongue is distorted with an accent, somehow that’s always funny.

The whole thing about acting, the draw for me, is the opportunity to do things you don’t get to do in real life.

As far as I know, you only get one shot at this life. It only goes round once and time is precious. When I’m not working, you’d better spend that time with someone important.

I think all actors are on the constant search for a real challenge just to keep things interesting.

My sense of personal strength has always come from my family.

There is no length that is too great to go to in order to protect your child.

She and I had come close to working on two other films together prior to this one that unfortunately had fallen apart for various reasons.

I find that most of us actors can’t stand ourselves in any form.

I had the privilege of being able to choose, or at least have the opportunity to work at, being anything but an actor.

I told myself that I would not go back to the camps as an actor ever again, that I was very frightened of wearing a yellow star. It was fear, it was cowardice, I was.

Fifteen years before I became a screen actor, I was in the theatre. A lot of my work was comedy, which I loved doing. It’s harder.

I don’t want to be like the actor who rehearses everything in the bathroom, then comes to the set and carries on completely uninterrupted while the other actors tiptoe away.

Actors were exploited no less by the capitalist managers than they were by the state.

I never really wanted to be an actor. And that was the beginning of it, I began to write things down and eventually became a writer on a television show.

The actor depends wholly on himself. He gives his performance in what, to him, seems the most effective manner.

In the 60s, if you wanted to be an actor, you couldn’t do just one thing.