“Actors were exploited no less by the capitalist managers than they were by the state.”

Because of my language and the pantomime with which most Europeans accompany their speech, I was catalogued as a heavy.

Women have a predestination to suffering.

Circumstances made me the theatrical personality I am, which many people believe is also a part of my personal life.

Death, the final, triumphant lover.

I have lived too completely. I think I have known every human emotion.

When a film company is in the red they come to me. Always it is the same.

It is women who bear the race in bloody agony. Suffering is a kind of horror. Blood is a kind of horror. Women are born with horror in their very bloodstream. It is a biological thing.

It took me years to live down Dracula and convince the film producers that I would play almost any other type of role.

In the studio the director controls the actor’s every move, every inflection, every expression.

I’d like to quit the supernatural roles and play just an interesting, down-to-earth person.

In Hungary, acting is a career for which one fits himself as earnestly as one studies for a degree in medicine, law, or philosophy.

I enjoy my work. I haven’t been an actor for 30 years without getting pleasure out of the profession.

A screen actor is compensated in the knowledge that millions will see his performance at one time, where only hundreds will see it on the stage.

Every producer in Hollywood had set me down as a type. I was both amused and disappointed.

The actor depends wholly on himself. He gives his performance in what, to him, seems the most effective manner.

I have played Dracula a thousand times on stage and I find I have become thoroughly settled in the technique of the stage and not of the screen.

I think people will be curious to see what I can do as a dramatic actor.

Keats himself spoke about how Shakespeare was capable of erasing himself completely from the characters he had created. As an actor, that is what I’m trying to do.

When I finished my A-levels, I assumed I’d be able to get work as an actor. But I couldn’t. I didn’t get an audition. Nothing. So I thought I’d better train and then the parts would come.

I had the privilege of being able to choose, or at least have the opportunity to work at, being anything but an actor.

I told myself that I would not go back to the camps as an actor ever again, that I was very frightened of wearing a yellow star. It was fear, it was cowardice, I was.

Fifteen years before I became a screen actor, I was in the theatre. A lot of my work was comedy, which I loved doing. It’s harder.

I don’t want to be like the actor who rehearses everything in the bathroom, then comes to the set and carries on completely uninterrupted while the other actors tiptoe away.

I never really wanted to be an actor. And that was the beginning of it, I began to write things down and eventually became a writer on a television show.