“A screen actor is compensated in the knowledge that millions will see his performance at one time, where only hundreds will see it on the stage.”

Death, the final, triumphant lover.

I have lived too completely. I think I have known every human emotion.

When a film company is in the red they come to me. Always it is the same.

It is women who bear the race in bloody agony. Suffering is a kind of horror. Blood is a kind of horror. Women are born with horror in their very bloodstream. It is a biological thing.

It took me years to live down Dracula and convince the film producers that I would play almost any other type of role.

Actors were exploited no less by the capitalist managers than they were by the state.

In the studio the director controls the actor’s every move, every inflection, every expression.

I’d like to quit the supernatural roles and play just an interesting, down-to-earth person.

In Hungary, acting is a career for which one fits himself as earnestly as one studies for a degree in medicine, law, or philosophy.

I enjoy my work. I haven’t been an actor for 30 years without getting pleasure out of the profession.

Every producer in Hollywood had set me down as a type. I was both amused and disappointed.

The actor depends wholly on himself. He gives his performance in what, to him, seems the most effective manner.

I have played Dracula a thousand times on stage and I find I have become thoroughly settled in the technique of the stage and not of the screen.

In making theories, always keep a window open so that you can throw one out if necessary.

It is women who love horror. Gloat over it. Feed on it. Are nourished by it. Shudder and cling and cry out-and come back for more.

It took several years of hard work in small roles before I attained stardom.

I pray before everything. When I wake up, before I eat, before I perform, before I go to sleep, in the moments I need guidance.

50 percent of the people I perform for have come to scream at me and the other 50 percent have come to listen to the music.

I’m not a natural born performer.

I’ve always felt kind of safe on stage, protected. I’ve talked to other performers about this and they feel the same things, particularly in the live arena. I never get nervous going on stage to do a play. Doing film or television I’ll have more butterflies.

I do 100 shows a year, but I do it in fits and starts, as opposed to going on a long run.

When you’re rapping, you do have to perform to a certain degree, but not every rapper is necessarily a gifted actor.

I’m not performing miracles, I’m using up and wasting a lot of paint.

Once you been performing on the streets you can conquer any venue.