I left the ending ambiguous, because that is the way life is.
BERNARDO BERTOLUCCII was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. ‘The Dreamers’ was a total homage to cinema and that love for it.
More Bernardo Bertolucci Quotes
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English dialogues are always just what you need and nothing more – like something out of Hemingway. In Italian and in French, dialogues are always theatrical, literary. You can do more with it.
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There’s no more film; now everything’s digital. I welcome this. It’s fantastic for me to have a new chance.
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I was writing poems when I was young, you know, because my father was a poet, so it was absolutely normal to follow my father.
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A dolly move is a moral commitment.
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The problem in Hollywood is that they try to become the only kind of cinema in the world, okay?
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I like that 3D is based on the fact that you look with two eyes, so two cameras imitate that.
BERNARDO BERTOLUCCI -
I think that I used to love Hollywood movies. I remember great phases and moments. But, unfortunately, now is not the moment.
BERNARDO BERTOLUCCI -
I like to be in a huis clos, as the French say – in one place. It’s something that in general can create a bit of claustrophobia. But for me, claustrophobia becomes almost immediately claustrophilia. I love it!
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If you mention any ideological thing about shooting Last Tango in Paris, I was thinking I was doing a political film.
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If New York is the Big Apple, tonight Hollywood is the Big Nipple.
BERNARDO BERTOLUCCI -
You know, in ten years you’re gonna be playing soccer with your tits, what do you think of that?
BERNARDO BERTOLUCCI -
The movies I like are always movies where cinema is reinvented like if it was the beginning of cinema.
BERNARDO BERTOLUCCI -
I haven’t made a movie for a while, but I’ve watched a lot. It’s my major waste of time. I like to work, but also to be waiting for work.
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New York has always embraced me.
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I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late ’50s, early ’60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism.
BERNARDO BERTOLUCCI