Young people now don’t care for politics. It isn’t present in life as it used to be. And increasingly I like films which reflect present-day reality.
BERNARDO BERTOLUCCII was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. ‘The Dreamers’ was a total homage to cinema and that love for it.
More Bernardo Bertolucci Quotes
-
-
I was in Italy, but completely in love with the nouvelle vague movement, and directors like Godard, Truffaut, Demy. ‘The Dreamers’ was a total homage to cinema and that love for it.
BERNARDO BERTOLUCCI -
After many, many years, I fell out of love with politics. It’s not something I like but it’s the truth.
BERNARDO BERTOLUCCI -
I’m no longer interested in making political films. There’s something old-fashioned about them.
BERNARDO BERTOLUCCI -
Pornography is not in the hands of the child who discovers his sexuality by masturbating, but in the heart of the adult who slaps him.
BERNARDO BERTOLUCCI -
The life before ’68 was very different from the life after ’68. Before ’68, our days were full of authoritarian moments. There were authorities everywhere. In fact, the movement of ’68 was young people against their authorities, children against their parents. And that remained.
BERNARDO BERTOLUCCI -
The most important thing of all, the thing that lasted, was the first feminist movement and the position of women in society. That completely changed and that was very, very important.
BERNARDO BERTOLUCCI -
Sometimes I think that I understand my movies after I make them. Really. I go very often off of instinct.
BERNARDO BERTOLUCCI -
To explore technology for me is something that I have to do. Otherwise, I feel completely left in the back… abandoned.
BERNARDO BERTOLUCCI -
This is something that I dream about: to live films, to arrive at the point at which one can live for films, can think cinematographically, eat cinematographically, sleep cinematographically, as a poet, a painter, lives, eats, sleeps painting.
BERNARDO BERTOLUCCI -
I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late ’50s, early ’60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism.
BERNARDO BERTOLUCCI -
Every film I have made has corresponded to a very special moment of my life. I like to think that if someone wanted to reconstruct the story of my life, they can just see my movies and know what I have been through.
BERNARDO BERTOLUCCI -
I am in love with the idea of doing a movie in 3D. I think 3D would be great for the story I want to do, in a realistic, normal story, using 3D on the emotions in a kind of intimate story.
BERNARDO BERTOLUCCI -
The problem in Hollywood is that they try to become the only kind of cinema in the world, okay?
BERNARDO BERTOLUCCI -
As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
BERNARDO BERTOLUCCI -
New York has always embraced me.
BERNARDO BERTOLUCCI






