“I’m just interested in meditating on certain ideas, and I like to draw: that’s my way of thinking.”

I’m not an expert, but I want to be.

What I feel bad about is not having published very much in the last few years.

I started producing work with an ecstatic addiction.

We are pushing hard to find quality advertising clients.

When I left school I went on trip around the world – I only got as far as Australia, but like a bloody fool I cut it short because of a girl. It’s probably one of my big regrets in life.

I haven’t done any building designs since the Loaf House.

I deeply believe in pluralism. I believe in the close proximity of multiple systems or agnostic systems.

I haven’t done any building designs since the Loaf House.

I’m interested in locating the holy grail of the minimum means to express the most complex ideas.

Student journeys which were important to me were Sicily, Greece, and Egypt, where I really saw these buildings, and that is where you’re able to grasp what things mean.

If you’re into architecture and you’re from the West, everything is hors d’oeuvres for working to rebuild the Temple. Ultimately you’re led there. You can’t escape it.

I have a book of buildings from 25,000 BC. These are huts built out of mammoth bones. These buildings were beautifully made, from the bones of the body into shelter.

Painting’ and ‘religious experience’ are the same thing. It is a question of the perpetual motion of a right idea.

Very rarely are we directing or cutting someone elses boards. We concept, direct, shoot, animate and edit almost everything that comes through here.

Politics are beautiful. They enable a community to live collectively with one another. It’s not about stabbing each other in the back it’s about enabling people to reach their dreams and pursue happiness.

I see man more as an instrument or an agent more than anything else.

Lose your schematic conventions by finding some surprising symbol or shape in the welter of shades, and draw that.

This kind of painting with its large frames is a bourgeois drawing-room art. It is an art dealer’s art-and that came in after the civil wars following the French Revolution.

A people who have suffered so much for so long at the hands of a racist society must draw the line somewhere.

If we master a bit of drawing, everything else is possible.

I’ve been fifty thousand times to the Louvre. I have copied everything in drawing, trying to understand.

When I make my drawings… the path traced by my pencil on the sheet of paper is, to some extent, analogous to the gesture of a man groping his way in the darkness.

I’ve been through a lot of ups and downs. I’ve been on both sides of it all, I guess. So there’s not one specific event or thought that I’m dealing with or drawing from necessarily.

Pure drawing is an abstraction.