“To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it.”

I am so fascinated with this century it will help keep me alive. I’ll be there until the last minute, fighting.

Abstraction in photography is ridiculous, and is only an imitation of painting. We stopped imitating painters a hundred years ago, so to imitate them in this day and age is laughable.

It is or should be a significant document, a penetrating statement, which can be described in a very simple term-selectivity.

I took to photography like a duck to water. I never wanted to do anything else. Excitement about the subject is the voltage which pushes me over the mountain of drudgery necessary to produce the final photograph.

I didn’t decide to be a photographer; I just happened to fall into it.

I’m not a nice girl; I’m a photographer. (On being told by a Federal Art Project official, after she photographed the Bowery, that a nice girl should not go into such neighborhoods )

Actually, documentary pictures include every subject in the world – good, bad, indifferent. I have yet to see a fine photograph which is not a good document.

What we need of equipment is this: let it possess as good a structure as the real-life content that surrounds us. We need more simplifications to free us for seeing.

Photography can only represent the present. Once photographed, the subject becomes part of the past.

None. They should just go out and photograph and stop talking about it. That’s the only way they are going to find themselves. They can’t do it in their heads – they have to go out and do it in the camera and get it on film.

Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times – the pulse of today.

Does not the very word ‘creative’ mean to build, to initiate, to give out, to act – rather than to be acted upon, to be subjective? Living photography is positive in its approach, it sings a song of life – not death.

What to me is anathema – a corpse-like, outmoded hangover – is for photography to be a bad excuse for another medium. … Is not photography good enough in itself, that it must be made to look like something else, supposedly superior?

The second challenge has been to impose order onto the things seen and to supply the visual context and the intellectual framework – that to me is the art of photography.

I wanted to combine science and photography in a sensible, unemotional way. Some people’s ideas of scientific photography is just arty design, something pretty. That was not the idea.

Photography is not only drawing with light, though light is the indispensable agent of its being. It is modeling or sculpturing with light, to reproduce the plastic form of natural objects. It is painting with light.

It’s easy to fool the eye but it’s hard to fool the heart.

When you have that light in your eye, that you feel so good, and you’re a pleasant person to be around. “Good morning, sir. Did you find everything that you need?

My eyes went blank, and I stared off, and the music started. It was raining, and the sun was shining at the same time.

Veterans report that service dogs help break their isolation. People will often avert their eyes when they see a wounded veteran.

Beauty is in the eye of the beholder. Should the beholder have poor eyesight, he can ask the nearest person which girls look good.

To not ever feel myself living, To only know myself in others’ eyes, reflected.

During the shooting of a scene the director’s eye has to catch even the minutest detail. But this does not mean glaring concentratedly at the set.

To be an artist means never to avert one’s eyes.