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What the human eye observes casually and incuriously, the eye of the camera (the lens) notes with relentless fidelity.

Berenice Abbott

What we need of equipment is this: let it possess as good a structure as the real-life content that surrounds us. We need more simplifications to free us for seeing.
BERENICE ABBOTT

Needs Photography Real Structure
The photographer is the contemporary being par excellence; through his eyes the now becomes the past.
BERENICE ABBOTT

Excellence Eye Past Photography
To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it.
BERENICE ABBOTT

Eye Philosophy Reality
Today we are confronted with reality on the vastest scale mankind has known and this puts a greater responsibility on the photographer.
BERENICE ABBOTT

Reality Responsibility Today
Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times – the pulse of today.
BERENICE ABBOTT

Expression Mean Photography
Actually, documentary pictures include every subject in the world – good, bad, indifferent. I have yet to see a fine photograph which is not a good document.
BERENICE ABBOTT

Documentary Photographer World
I believe there is no more creative medium than photography to recreate the living world of our time. Photography gladly accepts the challenge because it is at home in its element: namely, realism – real life – the now.
BERENICE ABBOTT

Believe Photography Real
I didn’t decide to be a photographer; I just happened to fall into it.
BERENICE ABBOTT

Fall Photographer Photography
The more you do, the more you realize there is to do, what a vast object the metropolis is, and how the work of photographing could go on forever.
BERENICE ABBOTT

Forever Goes Photography Realizing
If a medium is representational by nature of the realistic image formed by a lens, I see no reason why we should stand on our heads to distort that function. On the contrary, we should take hold of that very quality, make use of it, and explore it to the fullest.
BERENICE ABBOTT

Lenses Photography Quality Use
There are many teachers who could ruin you. Before you know it you could be a pale copy of this teacher or that teacher. You have to evolve on your own.
BERENICE ABBOTT

Inspirational Photography Ruin Teacher
I am so fascinated with this century it will help keep me alive. I’ll be there until the last minute, fighting.
BERENICE ABBOTT

Alive Fighting Lasts Photography
What the human eye observes casually and incuriously, the eye of the camera (the lens) notes with relentless fidelity.
BERENICE ABBOTT

Cameras Eye Photographer
None. They should just go out and photograph and stop talking about it. That’s the only way they are going to find themselves. They can’t do it in their heads – they have to go out and do it in the camera and get it on film.
BERENICE ABBOTT

Cameras Talking Themselves Way
The camera is no more an instrument of preservation, the image is.
BERENICE ABBOTT

Cameras Photographer Preservation
I agree that all good photographs are documents, but I also know that all documents are certainly not good photographs.
BERENICE ABBOTT

Agree Certainty Document Photographer

What the human eye observes casually and incuriously, the eye of the camera (the lens) notes with relentless fidelity.

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What the human eye observes casually and incuriously, the eye of the camera (the lens) notes with relentless fidelity.

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