“When you drop your guard in films, the acting process compensates. You get lazy and you start acting.”

They’re a very strange lot actors, very strange people.

The hierarchy of class in London was rigid. It was like a religion. It still is to a certain extent.

I honestly have no strategy whatsoever. I’m waiting for that script to pop through the letterbox and completely surprise me.

It’s Sir Ben. I’ve not been a Mister for two years.

You don’t go to a town to present the play and have applause at the end of it, but that’s benign conquest. It’s a glorious way of exploring other landscapes and other cultures in a very life-affirming way.

I’m convinced that had I not changed my name, I don’t think I would have had quite the same career curve that I eventually had.

One of the greatest things drama can do, at it’s best, is to redefine the words we use every day such as love, home, family, loyalty and envy. Tragedy need not be a downer.

Equal partners aren’t always what we envision as being manifestly equal. Equality can come in many different shapes and sizes and combinations.

I think that most actors attempt to keep in touch with the child.

My line-learning is very special. I like to learn the dialogue of the whole film before I arrive.

Shock is shock. Your body goes into shock, regardless of it being real blood or fake blood. The mind sends powerful messages to all the various glands and secretions in the body. It’s impossible trying to act it; it just happens. It’s a very important question: no acting.

I’ve met quite a number of people in my career, but I do have an extraordinary memory. And even though they may drift into the periphery of my memory, I can bring them right back when I need them.

I’ve never had to turn my hand to anything for monetary gain, other than pretending to be somebody else. I’m deeply fortunate.

But filming is good for you, because the crew isn’t allowed to laugh. You can’t get addicted to getting the laugh.

But comedy I’d love to do as much as humanly possible.

I have a rather naive approach, I think, to my job.

I think if I were to go back on stage I might be in great danger of acting.

They’re a very strange lot actors, very strange people.

Acting is an uncomfortable business because you have to make yourself vulnerable.

At 15 I had moved out of my parents’ place, and my options were looking pretty narrow. But I had this acting thing and I just wanted to be able to keep going because it was really good. That was all I wanted.

I am learning to be more vulnerable and open on stage. This comes with the development of my acting abilities.

I think that most actors attempt to keep in touch with the child.

There’s so much crap talked about acting.

The camera does not like acting. The camera is only interested in filming behaviour. So you damn well learn your lines until you know them inside out, while standing on your head!