“You spend hours alone, only with your thoughts, and you torture yourself. It’s a tendency of many writers to temper the self-destructive act of writing with other self-destructive acts. I certainly was one of those people for a long time.”

The story of our band is that we were this relentless touring band in those early years. We were leaving day jobs and going off on the road and having fun and seeing the country for the first time.

Bands who are in their early 20s today, they are living in their own time and they have a series of parameters they have to work around.

I’ve covered Avril Lavigne. I like good pop songs, and I don’t think there should be any kind of preconceptions about where good pop songs come from.

I don’t want to be overly dramatic and say it’s the only thing that gets me up and keeps me going. But people in your life come and go.

I want so badly to believe that there is truth, that love is real. And I want life in every word to the extent that it’s absurd.

Liking interesting things doesn’t make you interesting.

I’m a war of head versus heart, it’s always this way. My head is weak, my heart always speaks, before I know what it will say.

When I listen to Airplanes record, it takes me back. I remember a lot of my thought processes when I was 20 or 21, writing those songs and recording that record.

If there is one thing I think I have accomplished, it’s that I always thought of myself as a very literal songwriter, and as I look at some of those older records.

I’ve always had a soft spot for Phil Collins. He’s a great vocalist.

Now that we have the resources, we’re like, “Oh wow, a nice studio is pretty nice! They do have nice outboards here. It’s actually a pretty good place.” It’s funny how much changes so quickly.

I can remember how I sang – a little more nasal-y back then. Listening to those old recordings is like seeing a photograph of yourself from 10 years ago. You’re wearing what you thought looked cool at the time. You had your hair styled the particular way you thought looked cool.

I think sometimes a narrative can come out of a single word.

I can remember sitting up in guitarist Chris Walla’s bedroom and for the first time in my life having this realization like, “Maybe I can do this. Maybe I can make music that in some capacity people will enjoy and come see me play.”

We never sit down before we start making a record and talk about this new sonic palette that we are going to try to explore. We always let the record kind of reveal itself to us over time.

We had friends who had a hit single on the radio and sold 500,000 records, and then they couldn’t get arrested a year later.

Long gone are the days of the stylised old James Bond films with Roger Moore karate chopping his way through the bad guys – audiences are not going to buy it anymore.

It’s late at night and I can’t sleep.

I’m feeling like the music business is reaping what it’s sown. It’s going through what inevitably it was going to go through.

Eric Schlosser’s book on the economy and strategies of the fast-food business should be read by anyone who likes to take their children to fast-food restaurants.

With luck, a writer capable of producing both Slouching Towards Kalamazoo and The Blood of the Lamb will not remain unappreciated for long.

I think its important to engage them. And I think it’s important that we continue to fight for human rights, which is essential to denying the next generation of terrorists their recruits and this is a long-term fight we’re in when it comes to the war on terror.

People have been talking about multiverses as a philosophical idea for a long time. But the current incarnations in physics

I love to believe that there’s one god but there’s many different religions so there’s just the question of which long distance company you pick.