Protest and anger practically always derives from hope, and the shouting out against injustice is always in the hope of those injustices being somewhat corrected and a little more justice established.
JOHN BERGERProtest and anger practically always derives from hope, and the shouting out against injustice is always in the hope of those injustices being somewhat corrected and a little more justice established.
JOHN BERGERMen look at women. Women watch themselves being looked at.
JOHN BERGERPost-modernism has cut off the present from all futures. The daily media add to this by cutting off the past. Which means that critical opinion is often orphaned in the present.
JOHN BERGERThe past is the one thing we are not prisoners of. We can do with the past exactly what we wish. What we can’t do is to change its consequences.
JOHN BERGERThis determines not only most relations between men and women but also the relation of women to themselves.
JOHN BERGERThe existence of pleasure is the first mystery. The existence of pain has prompted far more philosophical speculation.
JOHN BERGERPropaganda requires a permanent network of communication so that it can systematically stifle reflection with emotive or utopian slogans. Its pace is usually fast.
JOHN BERGERI use charcoal a lot. Partly because it has such a fantastic range but also because it is very easy to erase.
JOHN BERGERThe relation between what we see and what we know is never settled. Each evening we see the sun set.
JOHN BERGERThe poverty of our century is unlike that of any other. It is not, as poverty was before, the result of natural scarcity, but of a set of priorities imposed upon the rest of the world by the rich.
JOHN BERGERYet the first symbols were animals. What distinguished men from animals was born of their relationship with them.
JOHN BERGERYou cant draw it for others. You can try, of course, but it doesn’t work. People obeying rules laid down my somebody else is not the same thing as respecting life. And if you want to respect life, you have to draw a line.
JOHN BERGERIf the public photograph contributes to a memory, it is to the memory of an unknowable and total stranger.
JOHN BERGEROil painting did to appearances what capital did to social relations. It reduced everything to the equality of objects.
JOHN BERGERThese contradictions both hide and increase the natural ambiguity of the photographic image.
JOHN BERGERTo be naked is to be oneself. To be nude is to be seen naked by others and yet not recognized for oneself. A naked body has to be seen as an object in order to become a nude.
JOHN BERGER