To set the record straight for the God knows millionth time, we certainly didnt sign to Atlantic just for the money.
BEN GIBBARDThe songwriting of Hall & Oates is deceptively complex. There are a number of key changes that pass you by as you’re listening to the song because they’re so seamless and clever.
More Ben Gibbard Quotes
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There are the people that are like, “I want it to sound like the last one.” You can’t please everybody all the time, but I think for the most part we tend to maintain a healthy level of self-reference to kind of make sure we continue to push things forward.
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A lot of the material is about the inevitable disappointment people feel as they move through life, and things don’t feel the way they expect. No experience will ever match up to the idealized version in your mind.
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Everybody has a language or code that they use with their wife or their girlfriend or boyfriend or what have you. It’s a language aside from the language they have with strangers.
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At this point in my life, I find myself obsessed with alternate paths I could’ve taken. I don’t think about this with a sense of regret, but with a sense of wonder.
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And it came to me then that every plan is a tiny prayer to father time.
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The songwriting of Hall & Oates is deceptively complex. There are a number of key changes that pass you by as you’re listening to the song because they’re so seamless and clever.
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I don’t want to be overly dramatic and say it’s the only thing that gets me up and keeps me going. But people in your life come and go.
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I want so badly to believe that there is truth, that love is real. And I want life in every word to the extent that it’s absurd.
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I don’t hear it now the way I did when I was 20. I think it is undeniable that the songs have become more instantaneously descriptive and literal.
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I feel like there’s a lot of beauty in the darkness of ‘Narrow Stairs,’ but that’s not really a place I’m ready to go to for a while. I’m interested in taking a different approach and having the next record be different in tone – I’m just not interested in making another dark, dark album.
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Death Cab is a militantly analog band. We’ll continue moving forward with our sound, but there will be no crossover.
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We wanted to be like R.E.M., but the reality is that 15 years after R.E.M. was putting out those records, the playing field had changed drastically as well.
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Between every record, we all split off in our own world and we all end up listening to usually pretty different music on our own. We come together not really knowing what the other people having been really listening to and what’s been influencing them.
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I’ve covered Avril Lavigne. I like good pop songs, and I don’t think there should be any kind of preconceptions about where good pop songs come from.
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I feel like on those older records there are a lot of attempts at clever turns of phrase.
BEN GIBBARD