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You can test things out without terrible consequences. Or maybe the consequences are there, but they are deferred, buried, much harder to detect.

Ben Marcus

I’m an enormous fan of Thomas Bernhard’s books, and I like the relentless feeling in his work – the pursuit of darkness, the negative – and I think in some sense I’ve internalised that as what one is supposed to do.
BEN MARCUS

Book Darkness Negative Thinking
A self needed to spill out sometimes, a body should show evidence of what the hell went on inside it.
BEN MARCUS

Body Self Sometimes
In some sense, prose fiction is just a way of unlocking a space. If I can unlock the space, it comes out and it’s vivid, I find that I care about it, and it’s part of me.
BEN MARCUS

Care Fiction Space
You can test things out without terrible consequences. Or maybe the consequences are there, but they are deferred, buried, much harder to detect.
BEN MARCUS

Consequences Detect Terrible Test
Mostly we’re motivated to control ourselves in public. Mostly. At home the motivation is much less clear. At home there’s a bit of a lab for bad behavior.
BEN MARCUS

Home Labs Motivation
A misspelled word is probably an alias for some desperate call for aid, which is bound to fail.
BEN MARCUS

Desperate Failing Language
Without sound, celebration and grief look nearly the same.
BEN MARCUS

Grief Looks Sound
Slamming the book shut produces a wind on the face, a weather that is copyrighted by the author, and this wind may not be deployed without permission, nor may the pages be turned without express written permission.
BEN MARCUS

Book Copyright Permisson Weather Wind
Fiction is too complicated and too elusive to break down into a set of tricks.
BEN MARCUS

Breaking Complicated Down Fiction
In certain strains of Judaism, there’s a profound passion for the ineffable. Contemplation of God is meant to be forever elusive, because, you know, our tiny minds can’t possibly comprehend Him. If we find ourselves comprehending Him, then we can be sure we’re off track.
BEN MARCUS

Passion Profound Track
When I started writing at 18 or 19, I had a fear of anything autobiographical, but I’ve come to realise that my writing is very autobiographical at the emotional level.
BEN MARCUS

Emotional Level Writing
Teaching is all armchair. I learn about writing by writing and thinking about what I’ve written and throwing it away.
BEN MARCUS

Teaching Thinking Writing
My goal, with whatever I’m working on, is to lose track of time.
BEN MARCUS

Goal Loses Track
Judaism to me, as badly as I practiced it, what I’ve always loved about it was its total embrace of complexity, its admission of unknowability.
BEN MARCUS

Complexity Embrace Judaism
The common, the quotidian, is so much more unyielding to me, really stubborn and hard to work with, and I like this because it makes me think and it makes me worry. I can’t just plunge my hand into the meat of it. I need new approaches.
BEN MARCUS

Hands Thinking Worry
My parents showed me by example that they could balance their work and family lives.
BEN MARCUS

Balance Example Parent

You can test things out without terrible consequences. Or maybe the consequences are there, but they are deferred, buried, much harder to detect.

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You can test things out without terrible consequences. Or maybe the consequences are there, but they are deferred, buried, much harder to detect.

Related Topics

Popular Authors

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