“I feel like a quote out of context.”

I think people use temp music quite a bit, but the people who write the temp music don’t ever really learn that their music was inspiring a movie.

And all I really want to say is you’re the reason I want to stay.

When someone really goes to tell you something about what they’re thinking, they’re going to wear that experience with them. That’s what you have to share.

I do have that mindset – that most good art comes from some turmoil, from someone trying to come to some equilibrium, or come up and get a breath.

I drink a lot, probably too much. My scene while writing lyrics is always a bottle of scotch and stacks of note cards, pencil and pencil sharpener. I throw around note cards and drink.

People aren’t going to sit there very often, not your average public, and your average music-business monster is not going to take the time to notice the overtones and the undertones inside the flavor. They’d rather just have the martini.

Everything I write is personal, really. Even when I’m sarcastic, it’s quite personal. And on this record, from the production to the singing to the performances, I got it really honest.

If I’m in a relationship and my girlfriend is sleeping with other people, I don’t need to know who it is; I just want to know how she feels about it.

I start songs all the time. If I weren’t so lazy, I would finish them. It’s like when I have a deadline I have to.

I divorce myself from listeners who aren’t tolerant of humor. I did notice universally that, especially when it comes to weight, people look in the mirror and get the angle just right, tell themselves it’s all right, and then they go out.

But I really do have a soft spot for the solo shows. Any musician who writes and sings will tell you that’s the center of it, that is it. It’s almost like there’s something church-like about it and you gotta go back there, if you’re a songwriter that sings your material.

I’m not really a strange person or anything, so if there’s music I like, usually there’s other people who like it too.

In many ways, I’ve chosen to be plain, almost too plain, too self-effacing. Like, if I record a vocal and I don’t like the way it sounds, I would have them turn it up and take the reverb off it to make it as plain as possible.

The way I see it, there’s only one melody for any song.

The less I talk in bars, write emails, express myself in an emotionally lewd way outside of my songwriting, the more I have to do it through my music.

The reason I stop playing songs is usually because I get sick of them, and then they find themselves back into the set list at some point.

People may need something to celebrate. They need a context in which to celebrate things. They need something that fills the void that’s left by the bankruptcy of religion and so forth.

The context has to come from the human first, rather than bits and pieces of fragments of old religion and all of the old moral superstructure, whatever it used to be.

Most creativity is a transition from one context into another where things are more surprising.

Art also has this element. Our job is to remind us that there are more contexts than the one that we’re in – the one that we think is reality.

There’s an interesting question here because if the gold price broke in that context, the thermometer would not be just a measuring tool. It would basically affect the underlying psychology.

But herein lies the rub: Christianity has been on a long-term trend of decline in every Western cultural context that we can identify.

In the context of general relativity, space almost is a substance.

I believe that the general growth in large [financial] institutions have occurred in the context of an underlying structure of markets in which many of the larger risks are dramatically — I should say, fully — hedged.