“But filming is good for you, because the crew isn’t allowed to laugh. You can’t get addicted to getting the laugh.”

I don’t want to be like the actor who rehearses everything in the bathroom, then comes to the set and carries on completely uninterrupted while the other actors tiptoe away.

The number of choices you make in the event that you see on stage, those choices are sometimes largely determined by the rehearsal process and the experiments that you go through and the choices that you make in the rehearsal room, not in front of an audience.

I think if I were to go back on stage I might be in great danger of acting.

In order to inhabit a villain, you mustn’t care what the audience think of you. That’s not why you are there. You mustn’t care for a second whether the audience likes you or dislikes you. Your villain has to be way beyond that.

The many many imponderables come together when a film opens and for all sorts of reasons it may or may not succeed.

I would like to make it known, on this program, loud and clear, that I would absolutely embrace with all five of my arms being a Bond villain.

You cannot learn a lesson of profound forgiveness unless you understand what it is to be wounded and forgive that which has wounded you.

I’m open to any project, but my joyful projects are those through which I can say something and through which I can speak to the an audience of people in the world, and I can be that vehicle through which something can be said, I find that entirely thrilling and joyful.

The leaping Jaguar on the bonnet, to me, makes it look more like a hunter than something that is getting away. It’s a hunter. Richard III definitely would have had a chauffeur driven Jaguar MK X.

All the great writers root their characters in true human behaviour.

We are adjusters. We empathize, we change rhythm and above all we listen to our fellow actors-if they’re good actors.

They’re a very strange lot actors, very strange people.

The hierarchy of class in London was rigid. It was like a religion. It still is to a certain extent.

I honestly have no strategy whatsoever. I’m waiting for that script to pop through the letterbox and completely surprise me.

It’s Sir Ben. I’ve not been a Mister for two years.

You don’t go to a town to present the play and have applause at the end of it, but that’s benign conquest. It’s a glorious way of exploring other landscapes and other cultures in a very life-affirming way.

The crew, like all Italian crews, was generous, warm, and enthusiastic.

I must confess that my imagination refuses to see any sort of submarine doing anything but suffocating its crew and floundering at sea.

I was by far the least popular of the Blue Collar crew when we started. There was a definite pecking order, and everybody knew it.

Making a film is so hard that if you don’t have your main actors going along with the ride with the rest of the crew it can make your life very difficult.

A film made in this spirit reveals the hearts of the crew.

The masterful work of the DP [Director of Photography] Kevin McKnight and his crew, and the layers and depths each actor goes to to ensure we the audience feel a human connection to these characters led me to sign my name on the dotted line.

I try to make the producers cry and the crew laugh.

The ‘Mythbusters’ crew, we monitor the Discovery boards, we look for the new ideas that are being forwarded on those boards, and we keep track of what’s going on, we keep updated.