I’m attracted to how fraught the parent-child relationship is, swerving so easily between love and hostility, with almost no plausible way to end, unless someone dies.
BEN MARCUSIt amazes me that parents are allowed to raise kids. There’s so much power and often very little accountability.
More Ben Marcus Quotes
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The context of what can be known establishes that love and indifference are forms of language, but the wise addition of punctuation allows us to believe that there are other harms – the dash gives the reader the clear signal they are coming.
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A misspelled word is probably an alias for some desperate call for aid, which is bound to fail.
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Fiction is too complicated and too elusive to break down into a set of tricks.
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I love the way dates in a text make us think that truth will follow.
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Mostly we’re motivated to control ourselves in public. Mostly. At home the motivation is much less clear. At home there’s a bit of a lab for bad behavior.
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Sorry, I said to myself, wondering how many times in my marriage I’d said that, how many times I’d meant it, how many times Claire had actually believed it, and, most important, how many times the utterance had any impact whatsoever on our dispute. What a lovely chart one could draw of this word Sorry.
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RHETORIC The art of making life less believable; the calculated use of language, not to alarm but to do full harm to our busy minds and properly dispose our listeners to a pain they have never dreamed of.
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When I started writing at 18 or 19, I had a fear of anything autobiographical, but I’ve come to realise that my writing is very autobiographical at the emotional level.
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Teaching is all armchair. I learn about writing by writing and thinking about what I’ve written and throwing it away.
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I like big doses of grief when I read: Richard Yates, Flannery O’Connor, Kenzabaro Oe, Thomas Bernhard.
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It amazes me that parents are allowed to raise kids. There’s so much power and often very little accountability.
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My goal, with whatever I’m working on, is to lose track of time.
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To refrain from storytelling is perhaps one of the highest forms of respect we can pay. Those people, with no stories to circle them, can die without being misunderstood.
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A self needed to spill out sometimes, a body should show evidence of what the hell went on inside it.
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The common, the quotidian, is so much more unyielding to me, really stubborn and hard to work with, and I like this because it makes me think and it makes me worry. I can’t just plunge my hand into the meat of it. I need new approaches.
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