When I was growing up you would see big American films that really mythologised their landscape, that really showed the vastness and the drama of their country.
Opera was the cinema of its time, so to bring back that popular appeal, you just need to unleash its visceral immediacy and excitement. Most productions don’t manage that – but when an opera does do it, you never forget it.
I’ve always loved the old epics that tell a simple emotional story, whether it’s the tumultuous relationship between Rhett and Scarlett or Lawrence of Arabia’s passion to get lost in a faraway place.
