The musical stuff I’d go up for was always funny, sexy, tough-as-nails, heart-of-gold characters.
BEBE NEUWIRTHStage and film are just two wildly different animals. Why compare the two?
More Bebe Neuwirth Quotes
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I’ve never danced professionally as a ballet dancer, but all of my training is ballet, and I am a Fosse dancer.
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I think that applies to their chosen profession, friends and relationships. It goes for your health too. If you are true to yourself, it seems to me everything should work out pretty well
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I can act. I can sing. But I am a dancer
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Creating a role is an interesting thing – each show or each situation is different.
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Stage and film are just two wildly different animals. Why compare the two?
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I don’t feel complete. It doesn’t feel like the electricity is making its connections
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I know when I’m bad, I know when I’m good, and I know when I’m everything in between.
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If I’m not in shape, it feels like something is wrong. If I haven’t been able to get to class for a while or I’ve been sick.
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On the rare occasions I go to the gym, I prefer silence.
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I want to be dancing the way I’m dancing now for 30 more years.
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I missed New York. Every break I had from the series, I’d fly back to the East Coast just to get back onstage.
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I was not influenced by concerts as a child, but I was very strongly influenced by the ballets I saw.
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I don’t see myself as a diva at all.
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There was one person [opening] the door with a butter knife and another person kicking the door in so I could get a photo. He’s decapitated, but totally nude. And he’s really well-endowed.
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I made jokes about kissing Murphy Brown. But if that’s what cost me my job, my wife will probably say, “Hey asshole, I told you so”.
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I’ve seen some very beautiful drag queens.
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The first Broadway show I saw was when I was 11. I saw ‘Hair.
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I don’t see my dancing or acting as two separate things. I don’t define them separately, so I can’t say one has helped the other, It’s all the same thing.
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Kirstie [Alley] saved me, in a way. [At the time], I had a terrible marriage, and I stayed at her house.
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When you’re a dancer who is injured, you are at the bottom of the food chain. We are so replaceable.
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When I was born, they put casts on my legs ’cause I had some kind of dysplasia or something. My legs were all messed up.
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My audition song is, and has been since 1977, ‘I Love a Piano.
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She was wonderful – just a kind, big-hearted, filthy girl. Somehow she could be vulgar without being vulgar.
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One of the things that’s great about doing a show over and over again… is that you have to find ways to make it spontaneous, as though everything is happening for the first time… to continue to mine the material and find new things.
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I’m not a performer who will come on stage and tell you everything about my life. It’s just not who I am.
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I’ve been very fortunate in my collaborators throughout my career.
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