Mostly we’re motivated to control ourselves in public. Mostly. At home the motivation is much less clear. At home there’s a bit of a lab for bad behavior.
BEN MARCUSTo me one of the amazing technologies of writing is the way it can listen in on thoughts. I don’t feel that that’s natural to other art forms in the same way.
More Ben Marcus Quotes
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A misspelled word is probably an alias for some desperate call for aid, which is bound to fail.
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It amazes me that parents are allowed to raise kids. There’s so much power and often very little accountability.
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I work a lot in the summers. My family goes to Maine, where we have a little house. My wife’s a writer, too, and we can write for six hours a day and then play with the kids.
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My parents showed me by example that they could balance their work and family lives.
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It’s lonely to listen to the pleasure of others, not that I’ve made a habit of that kind of eavesdropping. There’s joy and passion in the next room, in the next bed, but it’s not yours.
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I work, and then I leave the office, and I’m with my kids and just sort of enjoy them on a visceral level, and I don’t feel like I’m exorcising my own deep ideas about parenthood and about how my life will come into play in my work.
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I’m interested in the hope we invest in science, and the disappointment we can feel when science flattens, or ‘explains,’ the larger mysteries of religion.
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I love the way dates in a text make us think that truth will follow.
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Slamming the book shut produces a wind on the face, a weather that is copyrighted by the author, and this wind may not be deployed without permission, nor may the pages be turned without express written permission.
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The context of what can be known establishes that love and indifference are forms of language, but the wise addition of punctuation allows us to believe that there are other harms – the dash gives the reader the clear signal they are coming.
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Among other things, autoimmune disorders are an induction into a world of unstable information and no reliable expertise.
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Rain is used as white noise when God is disgusted by too much prayer, when the sky is stuffed to bursting with the noise of what people need.
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My goal, with whatever I’m working on, is to lose track of time.
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In some sense, prose fiction is just a way of unlocking a space. If I can unlock the space, it comes out and it’s vivid, I find that I care about it, and it’s part of me.
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When I started writing at 18 or 19, I had a fear of anything autobiographical, but I’ve come to realise that my writing is very autobiographical at the emotional level.
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