“Every actor’s greatest ambition is to create his own, definite and original role, a character with which he will always be identified. In my case, that role was Dracula.”

Death, the final, triumphant lover.

I have lived too completely. I think I have known every human emotion.

When a film company is in the red they come to me. Always it is the same.

It is women who bear the race in bloody agony. Suffering is a kind of horror. Blood is a kind of horror. Women are born with horror in their very bloodstream. It is a biological thing.

It took me years to live down Dracula and convince the film producers that I would play almost any other type of role.

Actors were exploited no less by the capitalist managers than they were by the state.

In the studio the director controls the actor’s every move, every inflection, every expression.

I’d like to quit the supernatural roles and play just an interesting, down-to-earth person.

In Hungary, acting is a career for which one fits himself as earnestly as one studies for a degree in medicine, law, or philosophy.

I enjoy my work. I haven’t been an actor for 30 years without getting pleasure out of the profession.

A screen actor is compensated in the knowledge that millions will see his performance at one time, where only hundreds will see it on the stage.

Every producer in Hollywood had set me down as a type. I was both amused and disappointed.

The actor depends wholly on himself. He gives his performance in what, to him, seems the most effective manner.

I have played Dracula a thousand times on stage and I find I have become thoroughly settled in the technique of the stage and not of the screen.

In making theories, always keep a window open so that you can throw one out if necessary.

It is women who love horror. Gloat over it. Feed on it. Are nourished by it. Shudder and cling and cry out-and come back for more.

Don Knotts won five Emmy Awards for Outstanding Performance in a Supporting Role by an Actor or Actress in a Series [in Andy Griffith Show] in 1961, 1962, 1963, 1966 and 1967.

I know Mama Rose is a great role and I love having a chance to do it.

Landing the role of Stephen Hawking was the most positively surprising thing that has happened to me.

The very first things that I did, even in theater, were bad guys. They are meaty roles for the most part. With the bad guy you have more freedom to experiment and go further out than with a good guy.

I am drawn to roles that are strong, intelligent, and a little edgy.

In college, I was always disappointed by lectures that covered social problems but failed to identify what I could do to change them. Part of the problem was that many professors simply didn’t believe they had a role in converting awareness to action.

I’m definitely musician and storyteller. But I always like to take an active role in things I care about socially and environmentally.

The evidence is there and it is clear. We want the people to be held accountable. Everybody who played a role in the death of Martin Anderson, we want them to be held accountable.