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I think you’re always attracted by characters that are a little bit like you, or at least the worst parts of you that you can finally accept and say, ‘All right, at least I know that now!’

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If I can make my mark just a little bit, then great.
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The Falling’ was a big, flashy, bizarre experience. I kept on saying at the time it was a fluke because I did the audition, and I didn’t think anything would come of it.
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That, for me, actually is the most important thing about doing a period film is trying to make these people as lovable as they are back then.
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The fact that I’ve been nominated for a BAFTA is insane.
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I do like a bit of danger. Guns, cars, running, bullets. I’m up for it.
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Throughout my life, I’ve been that annoying kid on every stage at school, in every talent contest.
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Feisty women are my calling!
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There’s a reason why there’s a problem with bodies, and it’s because you never actually get to see any normal versions of them.
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When you’re given a platform, and you’re allowed to perform, and someone’s there to heighten you as opposed to dampen you, that’s a nice feeling.
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Everybody’s story of getting into the industry is just as difficult as the next person. Whether you come from money or no money, it’s not easy… you have to offer yourself; you can’t expect someone to get you.
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My characters do have some fantastic taste in men.
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I grew up in a very loud and dramatic household, and we loved being in the spotlight.
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That’s something I’ve always appreciated watching actors that I’ve looked up to, is when they look like you and me, or they have a funny elbow, or they have, you know, a hairy face.
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Something that I’ve always been really keen on representing is some honesty with the way that we view ourselves.
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The women I’m attracted to playing I hope will mean something to someone.
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When I look for roles, I am looking for incredibly powerful women.
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