We are obliged to steal pieces of language, both visual and textual.
BARBARA KRUGERProminence is cool, but when the delusion kicks in it can be a drag. Especially if you choose to surround yourself with friends and not acolytes.
More Barbara Kruger Quotes
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Fashion is everywhere and about everything. It is folly, vanity and the fun of it all. It is disguise, innuendo, and cunning. It is mean, gorgeous and ambitious, and definitely the last word for the next few seconds.
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You make history when you do business.
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I like suggesting that ‘we are slaves to the objects around us,’ that ‘plenty should be enough,’ or that the ‘buyer should beware,’ within the context of conventional selling space.
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I’m trying to engage issues of power and sexuality and money and life and death and power. Power is the most free-flowing element in society, maybe next to money, but in fact they both motor each other.
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I think there are different ways of being rigorous, and I am asking people to be as rigorous in their pleasure as in their criticism.
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I don’t necessarily think that installation is the only way to go. It’s just a label for certain kinds of arrangements.
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All the gossip and craziness becomes a kind of sustained narrative which, in turn, can become history. It’s scary.
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Direct address has been a consistent tactic in my work, regardless of the medium that I’m working in.
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Money talks. It starts rumors about careers and complicity and speaks of the tragedies and triumphs of our social lives.
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Look, we’re all saddled with things that make us better or worse. This world is a crazy place, and I’ve chosen to make my work about that insanity.
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It’s good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can’t be personalized.
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Do you know why language manifests itself the way it does in my work? It’s because I understand short attention spans.
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I want to speak, show, see, and hear outrageously astute questions and comments. I want to be on the sides of pleasure and laughter and to disrupt the dour certainties of pictures, property, and power.
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I have no complaints, except for the world.
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I think what I’m trying to do is create moments of recognition. To try to detonate some kind of feeling or understanding of lived experience.
BARBARA KRUGER






