“There’s a whole system in Hollywood where the director never speaks to the studio, but I like to engage them in a discussion. I listen.”

You really think that on my films people tell me what to do? I don’t think so. On my films I decide.

In the ’80s, everyone wanted to be in opera. It was groovy.

One of my great all-time loves in cinema, and I’ve seen it three times, is Bondarchuk’s ‘War and Peace.’ Not a lot of people may have seen that film. It was made during the Soviet era.

Accept certain inalienable truths.

Your choices are half chance, so are everybody else’s.

My father made sure that I had lots of levels of education – from ballroom-dancing to painting, commando training, theatre and magic.

I don’t have fights with actors. In absolute honesty, I’ve never fought with any actor ever.

Some of the greatest relationship films of all time, the two stars have hated each other, but mostly you see that chemistry.

To be honest, there is a tourists’ trail; my family had a farm and a gas station, and you can go and see my birthplace, though where I lived is actually under a freeway now.

Hurt him. Hurt him and save him

Trust yourself that you can do it and get it

All good, clean stories are melodrama, it’s just the set of devices that determines how you show or hide it.

I grew up around jazz. I love jazz.

Fitzgerald coined the phrase the ‘Jazz Age,’ and now we’re living in the Hip-Hop Age.

The cold-audition process is not a science, so I ignore that.

Don’t waste your time on jealousy. Sometimes you’re ahead, sometimes you’re behind. The race is long, and in the end, it’s only with yourself

It doesn’t matter if you work with an Oscar winner or if you work with an unknown actor. There is always a collaboration between the director and the actors, and you always have to listen as the actors have to listen to you as a director.

I discovered early in my movie work that a movies never any better than the stupidest man connected with it. There are times when this distinction may be given to the writer or director. Most often it belongs to the producer.

I’m so dependent on reacting to the other actors on the set, and to the director. I’m very responsive. I react. And I treasure the energy that reaction gives.

The showrunner relationship in television is what the director relationship in film, there’s really no more important relationship.

In Kurdistan, theres a lot of hardship – a lot of wars, a lot of bitter and difficult lifestyles. And witnessing all those made me a director.

The first cut I do is usually between five and 10 minutes shorter then the cut that we release.

Casting directors now just see me as the hard-core sniper or prison guard.

I’m an unusual director in that my cut is usually shorter then the final released film. I like short films.