“I discovered early in my movie work that a movies never any better than the stupidest man connected with it. There are times when this distinction may be given to the writer or director. Most often it belongs to the producer.”

Chicago is a sort of journalistic Yellowstone Park, offering haven to a last herd of fantastic bravos.

In moderating, not satisfying desires, lies peace.

I have usually forgotten those who have admired my work, and seldom anyone who disliked it. Obviously, this is because praise is never enough and censure always too much.

For many years Hollywood held this double lure for me, tremendous sums of money for work that required no more effort than a game of pinochle.

I see a lot of fog and a few lights. I like it when life’s hidden. It gives you a chance to imagine nice things, nicer than they are.

The movies are one of the bad habits that corrupted our century.Of their many sins, I offer as the worst their effect on the intellectual side of the nation. It is chiefly from that viewpoint I write of them.

The movies are an eruption of trash that has lamed the American mind and retarded Americans from becoming cultured people.

I have written a raucous valentine to a poet’s dream and agony.

Out of the thousand writers huffing and puffing through movieland there are scarcely fifty men and women of wit or talent.

Like the actor, authority has faith in its false whiskers. But its deepest faith is in the human illusion. People will hang on to illusion as eagerly as life itself.

The producer, director and stars are the geniuses who get the hosannas when it’s a hit. Theirs are also the heads that are mounted on spears when it’s a flop.

I’ll tell you a secret. We live in a mad and inspiring world.

A man nearly always loves for other reasons than he thinks. A lover is apt to be as full of secrets from himself as is the object of his love from him.

I ran everywhere in the city like a fly buzzing in the works of a clock, tasted more than any fit belly could hold, learned not to sleep, and buried myself in a tick-tock of whirling hours that still echo in me.

Immorality, perversion, infidelity, cannibalism, etc., are unassailable by church and civic league if you dress them up in the togas and talliths of the Good Book.

I’m a Hollywood writer, so I put on my sports jacket and take off my brain.

The showrunner relationship in television is what the director relationship in film, there’s really no more important relationship.

In Kurdistan, theres a lot of hardship – a lot of wars, a lot of bitter and difficult lifestyles. And witnessing all those made me a director.

There’s a whole system in Hollywood where the director never speaks to the studio, but I like to engage them in a discussion. I listen.

The first cut I do is usually between five and 10 minutes shorter then the cut that we release.

Casting directors now just see me as the hard-core sniper or prison guard.

I’m an unusual director in that my cut is usually shorter then the final released film. I like short films.

If the United States is to produce a nation of investors-as we must if we are to gain financial world-leadership-it is imperative that boards of directors be so constituted as to adequately represent the interests and inspire the complete confidence of investors of moderate substance.

Everyone can do a character the way they want to do it, unless the director tells them not to, which isn’t very common.