There was a time when I said, “I’m going to go do a television thing,” after doing all these theatrical films, and heard, “Television? Why are you going to go back to television?” It’s an interesting place.
BARRY LEVINSONNo one really has the power, and everybody’s trying to get through the day, and everybody’s nervous and desperate.
More Barry Levinson Quotes
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I’m fascinated by documentaries, to begin with. Because of the nature of television, as opposed to theatrical, documentaries can be in this long form and take you on a journey.
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Craig Nelson who is an actor and is in a show called Coach in the United States. We began to do some improvisational stuff and we used to get laughs and things.
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You do understand that you can’t force the situation, but in terms of how you edit, you can define that to take the audience along, whether it be a storyline or a character moment that we can play out. The more experience you’ve had, the more beneficial it is, period.
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I would give the cameras to the kids in the swimming pools and they would play with them, and then I would collect them and we would upload it. If you’re in the process, you’re there.
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First of all, just to get Diner made would have been an achievement in that I got a chance to direct.
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I never really wanted to be an actor. And that was the beginning of it, I began to write things down and eventually became a writer on a television show.
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I got involved with an acting school and studied for a couple years. They used to have improv exercises that you would work on and you would do improvs.
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I think certain movies work and that is part of the magic of it all. We can’t truly define why something succeeds.
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I think it’s a promising time which will show a lot of diversification that we’ve seen in the past.
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I’ve had a lot of movies that didn’t get great numbers on test screening, but a lot of times the film was able to survive, or the studio still stayed and supported it.
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No one really has the power, and everybody’s trying to get through the day, and everybody’s nervous and desperate.
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They’re intimidating the networks and levying these fines, so the networks are not sure of what they can or can’t do.
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I think test screening works at its best when the audience knows what it’s getting.
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I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
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It’s always hard to explain why an audience ultimately responds to a movie.
BARRY LEVINSON






