“I try to photograph what can’t be photographed – psychological or subjective reality, which seems more real than physical or consensual reality.”

Reality… includes a perceiver, who has memories, thoughts, desires, emotions – [which] a normal camera tends to omit.

When I try to get clever I fail, so I stick with the basic issues of human life on earth – sex, death, relationships, discovering who you are, being hurt and confused.

…I use primal imagery, so maybe it’s fitting that I use the most primitive of cameras [pinhole cameras]. Since there’s no viewfinder, the image is much more of a surprise – as if some outsider came and looked at earth for the first time.

It’s important to notice these things because the more you do, the more you will realize that each person has little psychological nuances that tell you a lot about the individual.

Seen as an economic, political, cultural, and psychological re-membering vision, it should continue to guide remembering practices

Seeing is more than a physiological phenomenon… We see not only with our eyes but with all that we are and all that our culture is. The artist is a professional see-er.

That is why, according to this newer psychology, Christianity has already fulfilled its biological mission, and it is impossible for the modern man to understand its original significance.

The principle that human nature, in its psychological aspects, is nothing more than a product of history and given social relations removes all barriers to coercion and manipulation by the powerful.

We need a home in the psychological sense as much as we need one in the physical: to compensate for a vulnerability.

I think Hell exists on Earth. It’s a psychological state, or it can be a physical state.

It’s easy to explain the psychological state of a character at a particular moment, but it’s very difficult to describe it through the delicate nuances of action and dialogue. Yet it is not impossible.