The feeling of being halfway through a show and just realizing that there’s nothing you can do to save it – it’s a horrible feeling.
BABATUNDE ADEBIMPETen years is a pretty good run for anything.
More Babatunde Adebimpe Quotes
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It’s insane when someone shows up to your show and is like, “You could run off with me right now!” I’m like, “It’s cool, I think I’m gonna go read.”
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If you push hard enough you can change. You can take everything you know and round it up, turn it into something else, and keep turning things into something else.
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I’ve had terrible, terrible, terrible shows where I just thought, “That was off-key” or I forgot lines or I thought I looked like an idiot, and then you’re leaving and talking to people, and they’re like, “I had the best time of my life! That was amazing!” You just never know.
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I think that music and art and film, at their best, can connect with something that is eternal in human beings, that might not have so many labels on it, something that’s ultimately universal and that may just be a feeling.
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I know that being upset without having an avenue to fix anything is a real hard place to be in for too long. But it’s even worse thinking that it’ll go away if you just ignore it.
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My father was a psychiatrist and a social worker but he was a very talented painter and musician and writer on the side.
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Hearing that [David] Bowie passed was like you don’t really believe it. It’s as if the sky shifted a little bit, to remind you it was there.
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Ten years is a pretty good run for anything.
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You have to be a really talented writer if you’re trying to encapsulate a news story with a song and have it live after the event. I don’t have the focus to do that, really.
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One second you’re having the time of your life in front of all these people, and then you come backstage to the exact opposite – there’s only lukewarm carrots back there.
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Adding instruments to parts of a song and having them somehow find a pocket. That to me was a huge lesson. Like, there’s more than 808s in the universe.
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Regarding race or gender or sexuality, one of the great things about art and music is that they can provide people with very little else in common with a similar entry point for discussion, but the discussions still need to happen for life to get more interesting.
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No one wanted a job. No one could hold a job. You tend to see those going hand in hand.
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Touring is really a weird social experiment, even though everyone thinks it’s a party every day.
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Most of the bands that I really like no longer exist. That might just be because I’m in my thirties or whatever. But I also think it’s the rare band that doesn’t, like, turn into something else.
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