I think architecture is one of the predominant orderings of social space. It can construct and contain our experiences. It defines our days and nights. It literally puts us in our place.
BARBARA KRUGERI think I developed language skills to deal with threat. It’s the girl thing to do-you know, instead of pulling out a gun.
More Barbara Kruger Quotes
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I’m trying to deal with ideas about histories, fame, hearsay, and how public identities are constructed.
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Love is something you fall into.
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What I’m trying to do is create moments of recognition.
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It’s hard for me to understand how working-class people support themselves.
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Images are made palpable, ironed flat by technology and, in turn, dictate the seemingly real through the representative.
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I’d always been a news junkie, always read lots of newspapers and watched the Sunday morning news shows on TV and felt strongly about issues of power, control, sexuality and race.
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Memory is your image of perfection.
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Photography has saturated us as spectators from its inception amidst a mingling of laboratorial pursuits and magic acts to its current status as propagator of convention, cultural commodity, and global hobby.
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There’s a moment of recognition. It’s that white-light kind of stuff that just “works.” I love that. And you know it when it happens, whether it’s a movie, music, a building, a book.
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Money talks. It starts rumors about careers and complicity and speaks of the tragedies and triumphs of our social lives.
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Teaching at university isn’t like teaching in an art school.
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All the gossip and craziness becomes a kind of sustained narrative which, in turn, can become history. It’s scary.
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Fashion is everywhere and about everything. It is folly, vanity and the fun of it all. It is disguise, innuendo, and cunning. It is mean, gorgeous and ambitious, and definitely the last word for the next few seconds.
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I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I’m trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level.
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The different aspects of my activity, whether it’s writing criticism, or doing visual work that incorporates writing, or teaching, or curating, is all of a single cloth, and I don’t make any separation in terms of those practices.
BARBARA KRUGER