I’ve had a lot of movies that didn’t get great numbers on test screening, but a lot of times the film was able to survive, or the studio still stayed and supported it.
BARRY LEVINSONThere’s no downside to having too much experience.
More Barry Levinson Quotes
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I thought a great line in the What Just Happened movie said, “We’re just the mayonnaise.”
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I got involved with an acting school and studied for a couple years. They used to have improv exercises that you would work on and you would do improvs.
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I’m fascinated by documentaries, to begin with. Because of the nature of television, as opposed to theatrical, documentaries can be in this long form and take you on a journey.
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The interesting thing about movies, it’s not always – y’know, you have to have structure etc and all those things, but an audience responds, in many ways, we walk away and certain things stay in our heads that are memorable.
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Even back in the ’90s, I shot certain things on something that wasn’t digital then, but it was on VHS with a smaller camera and we would up it to film.
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I worked at a local television station and I got a chance to direct and do all those things – worked kiddie shows, Ranger House show with the hand puppets and things like that.
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It’s always hard to explain why an audience ultimately responds to a movie.
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When I began to think about the head of the family, the storyteller, the rise of television which became the new storyteller, the break-up of the American family as an idea and then Avalon came.
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First of all, just to get Diner made would have been an achievement in that I got a chance to direct.
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You do understand that you can’t force the situation, but in terms of how you edit, you can define that to take the audience along, whether it be a storyline or a character moment that we can play out. The more experience you’ve had, the more beneficial it is, period.
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There was a time when I said, “I’m going to go do a television thing,” after doing all these theatrical films, and heard, “Television? Why are you going to go back to television?” It’s an interesting place.
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I do know when you look at some ballplayer and all of a sudden he is the size of a truck something is wrong.
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I don’t know that you can do an absurdist film and just have everybody embrace it in terms of filling out cards. I just don’t think it happens. So you have to prepare an audience.
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I think it’s a promising time which will show a lot of diversification that we’ve seen in the past.
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No one really has the power, and everybody’s trying to get through the day, and everybody’s nervous and desperate.
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